History of Brighthelmston; or, Brighton as I View it and Others Knew It: With a Chronological Table of Local EventsErredge, John Ackerson
History
History of Brighthelmston; or, Brighton as I View it and Others Knew It: With a Chronological Table of Local Events
Erredge, John Ackerson
Brighton (England) -- History
The name of the Inn, in West street, was, after the return of Charles
from exile, changed from the “George” to the “King’s Head,” and as a
memorial of the royal visit, the portrait of his Majesty became the sign
of the house. It remained some years fixed on the outside of the
premises; but about forty years since, when it was going rapidly to
decay, it was taken down by the then landlord, Mr. Eales, and, having
received a coat of varnish, was placed in an oak frame and hung up
indoors. That, however, like every other memento of the flight of
Charles, has some years been a thing of the past, the bedstead with its
appurtenances whereon the royal personage slept, the chair whereon he
sat, the cooking apparatus of the occasion, and every article connected
with the event having long since been purchased at long prices to those
persons who set store upon historical relics. On Royal Oak Day, the
anniversary of the 29th of May, 1660, commonly called Restoration Day, it
is customary for a large bough of oak to adorn the front of the “King’s
Head.”
The only relic in Brighton, in any way connected with the “Merrie
Monarch,” is Nell Gwynne’s looking-glass. This glass is amongst the
curiosities in the Brighton Museum, at the Royal Pavilion, and is the
property of Sir Charles Dick, of Port Hall, Dyke Road, Brighton. It
bears the likeness of Nell Gwynne and King Charles, which are modelled in
wax; and also the supporters or crest which Nell assumed, namely, the
lion and leopard. The whole is curiously worked in various coloured
glass beads, and the figures with the dresses are made to project in very
high relief; indeed, they are merely attached to the ground-work. In the
upper compartment is Charles in his state dress, and in the bottom one
that of Nell Gwynne in her court dress—the pattern of which is very
tasteful. On the right is Charles in his hunting dress, and on the left
is Nell in her negligée dress. The beads have retained their colours,
which are very appropriate to the subject, and must have been a work of
considerable time and patience; but whether done by Nell or not, there is
no record. Mrs. Jameson says:—“Charles, in spite of every attempt to
detach him from her, loved her to the last, and his last thought was for
her—‘Let not poor Nelly starve!’ Burnet, who records this dying speech,
is piously scandalized that the King should have thought of such a
‘creature’ in such a moment; but some will consider it with more mercy,
as one among the few traits which redeem the sensual and worthless
Charles from utter contempt.”
CHAPTER XIX.
PERSECUTIONS FOR CONSCIENCE’ SAKE.
Public-domain text, read in full here on John Shaqi.
Reviews
Reviews
No reviews yet
Be the first to share your thoughts on this work.
Elsewhere in the archive
Join the Discussion
Join the discussion
Sign in to leave a comment or review.
Sign InorCreate an account