History of Brighthelmston; or, Brighton as I View it and Others Knew It: With a Chronological Table of Local EventsErredge, John Ackerson
History
History of Brighthelmston; or, Brighton as I View it and Others Knew It: With a Chronological Table of Local Events
Erredge, John Ackerson
Brighton (England) -- History
Mrs. Fitzherbert’s mansion, now the residence of W. Furner, Esq., the
Judge of the County Court of this district, adjoining the present mansion
of Captain Thellusson, was built in 1804. On the site now occupied by
the square block of buildings that form the north-east corner of Castle
Square, about forty years since, stood the Castle Tavern, which had been
one of the chief rendezvous of royalty, the nobility, and the gentry. It
was originally a very small house, but being considered the best in the
town for a tavern, it was purchased by Mr. Shergold, who opened it under
the sign of the Castle, in 1755. Such was its success, in consequence of
the increase of visitors to the town, that, in 1776, Messrs. Tilt and
Best joined him in partnership, and the premises were greatly extended.
In 1790, the other parties having given up the business, Mr. Tilt carried
on the undertaking, and he was succeeded by his widow. In 1814, Messrs.
Gilburd and Harryett became the proprietors. It attained the acme of its
celebrity when in the hands of Mr. Tilt, who attached to the
establishment an elegant suite of Assembly and Concert Rooms, built with
great taste and judgment by Mr. Crunden, of Park Street, London, in 1776.
The Ball Room was rectangular, 80 feet by 40 feet, with recesses at each
end and side, 16 feet by 4 feet, decorated with columns corresponding
with the pilasters which were continued round the room, dividing the
sides and ends into a variety of compartments, ornamented with paintings
from the Admirander and the Vatican, representing a portion of the story
of Cupid and Psyche, and the Aldrobrandini marriage; with air-nymphs and
divers other figures, in the ancient grotesque style. The ceiling was
curved, and formed an arch of one fifth of the height of the room, which
was 35 feet. Over the entablature, at each end of the room, was a large
painting; the one a representation of Aurora, and the other a figure of
Nox. In 1814, a beautifully toned organ by Flight and Robson was erected
at the north end of the room.
Public-domain text, read in full here on John Shaqi.
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