History of Brighthelmston; or, Brighton as I View it and Others Knew It: With a Chronological Table of Local EventsErredge, John Ackerson
History
History of Brighthelmston; or, Brighton as I View it and Others Knew It: With a Chronological Table of Local Events
Erredge, John Ackerson
Brighton (England) -- History
The great additions to the Royal Pavilion, or rather its reconstruction,
so as to remain and adopt some portions of the original building,
commenced in 1817, Nash being the architect. It is of no fixed style of
architecture, but is a composite of the Moorish and Chinese. An Indian
style was offered by Repton, who on the publication of it, upon its being
rejected by the Prince, adopted the term “Pavilion,” both in the plates
and in the letter-press. The style selected is admired by some persons,
but much ridiculed by critics. Sidney Smith said “the building looked as
if the dome of St. Paul’s, London, had come down to Brighton and pupped;”
whilst William Cobbett observed that “a good idea of the building might
be formed by placing the pointed half of a large turnip upon the middle
of a board, with four smaller ones at the corners.” The Pagoda towers,
which form the north and south wings, are much admired for the beauty of
their proportions, and for their inversion from the roof in a
spheroidical elevation. They are covered with thin plates of iron,
coated with mihl or mastic of great durability. The domes, and the
minarets, which consist of open cupolas on tall pillars, have a similar
covering of mastic.
In adapting the north pagoda to a concert room, every attention was paid
by the architect to combine the harmony of the music in the perfect
equilibrium of tone produced by each instrument. The Prince of Wales,
who was a fine judge and promoter of music, made many suggestions to
counteract the too great elevation of the ceiling, which somewhat
destroyed the combination and vibration of sound, and under his
accomplished taste the acme of scientific proportions of combination and
sound was attained. The first time that this music room was used was
about the middle of January, 1818, the performers being the Prince
Regent’s private band. The organ, by Mr Lincoln, was not erected till
the end of that year. The organ previously used in the Pavilion was
taken there on the 18th of November, 1805. The instrument now used in
the room formerly stood in the Royal Chapel, and was the gift of her
present Majesty to the town.
Public-domain text, read in full here on John Shaqi.
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