History of Central America, Volume 1, 1501-1530: The Works of Hubert Howe Bancroft, Volume 6Bancroft, Hubert Howe
History
History of Central America, Volume 1, 1501-1530: The Works of Hubert Howe Bancroft, Volume 6
Bancroft, Hubert Howe
Central America -- History
The capa is indispensable to the Spaniard; it fits his nature like a
glove, and is almost a part of him. It may be worn over a rich dress,
or it may conceal rags or nakedness; it may cover a noble, generous
heart, or a multitude of sins. Hidden beneath it, in secret the wearer
may work out his purpose, though in the market-place. It keeps out the
cold; it may hide the assassin's dagger; it serves as a disguise in love
intrigues, and is a grateful protection from importunate creditors.
Twisted round the left arm, it is a shield; at night, it is a bed;
and with a sword, _capa y espada_, it not unfrequently constitutes the
entire earthly possessions of the haughty, poverty-stricken cavalier.
Whatever be the character or condition of the wearer, dignity is lent
him by its ample folds, and comeliness by its graceful drapery. It is
an unpardonable breach of decorum for a muffled cavalier to address
a person, or for any one to speak to him while so muffled. Politeness
teaches him to throw open to his friend both his garment and his heart,
that it may be plain that no concealed weapon is in the one, or malice
in the other. A son dare not speak to his own father when his face is
covered by his cloak.
The peasantry flaunted the gayest and most picturesque attire on holiday
occasions; the _majo_, a rustic beau, wore a figured velvet waistcoat
with square velvet buttons, and brilliant with colored ribbons;
embroidered stockings, silver-buckled shoes, and a colored capa thrown
gracefully over the left shoulder. The dress of Fígaro in the play, is
that of an Andalusian dandy. The costume of Valencia is more Asiatic,
or Asiatic-antique it might be called, partaking somewhat, as it does,
of the ancient Greek costume—wide linen drawers, linen shirt, hempen
sandals, footless stockings, wide red woollen belt, gay velvet jacket
with silken sash, with a colored capa over all. The long hair is bound
by a silken band in the form of a turban. The female peasant dress is
no less showy; a red velvet bodice, with scarlet or purple petticoat,
all profusely embroidered, a gay-colored square-cut mantilla fastened
by a silver brooch, with chains and jewels and colored stones according
to the purse of the wearer.
[Sidenote: VARIOUS COSTUMES.]
Public-domain text, read in full here on John Shaqi.
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