History of Denmark, Sweden, and Norway, Vol. 2 (of 2)Dunham, S. A. (Samuel Astley)
History
History of Denmark, Sweden, and Norway, Vol. 2 (of 2)
Dunham, S. A. (Samuel Astley)
Scandinavia -- History
In Valhalla he has a table separate from the Einheriar, but he lives
only on wine; and the meats set before him he distributes to two wolves
which stand by his side. These are _Geri_ the devouring, and _Freki_ the
fierce.
He learns all that passes on earth, without the trouble of ascending
Lidskialf[53], by means of two ravens, which leave Asgard at daybreak,
and at dinner time return, to perch on his shoulders, and whisper into
his ear all that they have seen. These ravens are—Observation and
Memory; both presents from the enchantress Hulda. Hence he is called the
raven god.
These mythi are for the most part sufficiently obvious. Frigga is a
personification of the earth; while Odin himself, in his character of
chief god, may represent heaven. Heaven and earth give origin to—thunder
(Thor), the summer-sun (Balder), the swift messenger (Hermod), the
hospitable board (Braga), and the undaunted defender of nature (Tyr).
Skada, the daughter of the giant Thiasse, and a nymph of the mountains,
is a personification of the spring winds; but we cannot see the import
of the mythos—if, indeed, there were any intended—in regard to Semming.
Why Vidar should be the offspring of Grydur is equally dark; but there
is propriety enough in making the frost (Rinda) the mother of
barrenness. The two wolves at Odin’s side denote his ferocity as the god
of battles; and the two ravens, memory and observation, explain his
knowledge of the past and present. To that of the future this god had no
pretensions; this was reserved to the Norny Skulda, and to a few of the
Valas, or prophetesses.
Immediately dependent on Odin—the ministers of his will as the god of
war—were the three Valkyrs, or choosers of the slain. They also
administer to the slain at his banquet.
Public-domain text, read in full here on John Shaqi.
Reviews
Reviews
No reviews yet
Be the first to share your thoughts on this work.
Elsewhere in the archive
Join the Discussion
Join the discussion
Sign in to leave a comment or review.
Sign InorCreate an account