History Of Egypt, Chaldæa, Syria, Babylonia, and Assyria, Volume 1 (of 12)Maspero, G. (Gaston)
History
History Of Egypt, Chaldæa, Syria, Babylonia, and Assyria, Volume 1 (of 12)
Maspero, G. (Gaston)
Civilization, Ancient; Egypt -- History -- To 640 A.D.; History, Ancient; Middle East -- History
He dwelt in the city near the prince and in the midst of his subjects:
Ra living in Heliopolis along with the prince of Heliopolis; Haroeris
in Edfu together with the prince of Edfu; Nit in Sais with the prince of
Sais. Although none of the primitive temples have come down to us,
the name given to them in the language of the time, shows what
they originally were. A temple was considered as the feudal
mansion--hait,--the house--_piru, pi_,--of the god, better cared for,
and more respected than the houses of men, but not otherwise differing
from them. It was built on a site slightly raised above the level of
the plain, so as to be safe from the inundation, and where there was no
natural mound, the want was supplied by raising a rectangular platform
of earth. A layer of sand spread uniformly on the sub-soil provided
against settlements or infiltration, and formed a bed for the
foundations of the building.[*]
* This custom lasted into Graeco-Roman times, and was part of
the ritual for laying the foundations of a temple. After the
king had dug out the soil on the ground where the temple was
to stand, he spread over the spot sand mixed with pebbles
and precious stones, and upon this he laid the first course
of stone.
This was first of all a single room, circumscribed, gloomy, covered in
by a slightly vaulted roof, and having no opening but the doorway, which
was framed by two tall masts, whence floated streamers to attract from
afar the notice of worshippers; in front of its facade [*] was a court,
fenced in with palisading.
* No Egyptian temples of the first period have come down to
our time, but Herr Erman has very justly remarked that we
have pictures of them in several of the signs denoting the
word _temple_ in texts of the Memphite period.
[Illustration: 167.jpg THE SACRED BULL. 2]
2 A sculptor's model from Tanis, now in the Gizeh Museum,
drawn by Faucher-Gudin from a photograph by Emil Brugsch-
Bey. The sacred marks, as given in the illustration, are
copied from those of similar figures on stelae of the
Serapeum.
Public-domain text, read in full here on John Shaqi.
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