History of Egypt, Chaldæa, Syria, Babylonia, and Assyria, Volume 3 (of 12)Maspero, G. (Gaston)
History
History of Egypt, Chaldæa, Syria, Babylonia, and Assyria, Volume 3 (of 12)
Maspero, G. (Gaston)
Civilization, Ancient; Egypt -- History -- To 640 A.D.; History, Ancient; Middle East -- History
the rank of the immortals; Anu sent him back to his home just as he had
come, and Shutu had to put up with his broken wings.
Bamman absorbed one after the other all these genii of tempest and
contention, and out of their combined characters his own personality of
a hundred diverse aspects was built up.
[Illustration: 177.jpg THE BIRDS OF THE TEMPEST]
Drawn by Faucher-Gudin, from a Chaldaean cylinder in the
Museum of New York. Lenormant, in a long article, which he
published under the pseudonym of Mansell, fancied he
recognized here the encounter between Sabitum and Gilgames
on the shores of the Ocean.
He was endowed with the capricious and changing disposition of the
element incarnate in him, and passed from tears to laughter, from anger
to calm, with a promptitude which made him one of the most disconcerting
deities. The tempest was his favourite role. Sometimes he would burst
suddenly on the heavens at the head of a troop of savage subordinates,
whose chiefs were known as Matu, the squall, and Barku, the lightning;
sometimes these were only the various manifestations of his own nature,
and it was he himself who was called Matu and Barku. He collected the
clouds, sent forth the thunder-bolt, shook the mountains, and “before
his rage and violence, his bellowings, his thunder, the gods of heaven
arose to the firmament--the gods of the earth sank into the earth” in
their terror. The monuments represent him as armed for battle with
club, axe, or the two-bladed flaming sword which was usually employed to
signify the thunderbolt. As he destroyed everything in his blind
rage, the kings of Chaldaea were accustomed to invoke him against their
enemies, and to implore him to “hurl the hurricane upon the rebel
peoples and the insubordinate nations.” When his wrath was appeased, and
he had returned to more gentle ways, his kindness knew no limits. From
having been the waterspout which overthrew the forests, he became the
gentle breeze which caresses and refreshes them: with his warm showers
he fertilizes the fields: he lightens the air and tempers the summer
heat.
[Illustration: 178.jpg RAMMAN ARMED WITH AN AXE.]
Drawn by Faucher-Gudin, from a sketch by Loftus. The
original, a small stele of terra-cotta, is in the British
Museum. The date of this representation is uncertain. Ramman
stands upon the mountain which supports the heaven.
He causes the rivers to swell and overflow their banks; he pours out the
waters over the fields, he makes channels for them, he directs them to
every place where the need of water is felt.
But his fiery temperament is stirred up by the slightest provocation,
and then “his flaming sword scatters pestilence over the land: he
destroys the harvest, brings the ingathering to nothing, tears up trees,
and beats down and roots up the corn.”
[Illustration: 179.jpg RAMMAN, THE GOD OF TEMPESTS AND THUNDER.]
Public-domain text, read in full here on John Shaqi.
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