History of Egypt, Chaldæa, Syria, Babylonia, and Assyria, Volume 3 (of 12)Maspero, G. (Gaston)
History
History of Egypt, Chaldæa, Syria, Babylonia, and Assyria, Volume 3 (of 12)
Maspero, G. (Gaston)
Civilization, Ancient; Egypt -- History -- To 640 A.D.; History, Ancient; Middle East -- History
The countries of the Euphrates were renowned in classic times for the
beauty of the embroidered and painted stuffs which they manufactured.*
Nothing has come down to us of these Babylonian tissues of which the
Greek and Latin writers extolled the magnificence, but we may form some
idea, from the statues and the figures engraved on cylinders, of what
the weavers and embroiderers of this ancient time were capable. The loom
which they made use of differed but slightly from the horizontal loom
commonly employed in the Nile Valley, and everything tends to show that
their plain linen cloths were of the kind represented in the swathings
and fragments of clothing still to be found in the sepulchral chambers
of Memphis and Thebes. The manufacture of fleecy woollen garments so
much affected by men and women alike indicates a great dexterity. When
once the threads of the woof had been stretched, those of the warp
were attached to them by knots in as many parallel lines--at regular
intervals--as there were rows of fringe to be displayed on the surface
of the cloth, the loops thus formed being allowed to hang down in their
respective places: sometimes these loops were retained just as they
stood, sometimes they were cut and the ends frayed out so as to give the
appearance of a shaggy texture.
* Most modern writers understand by tapestry what the
ancients were accustomed to call needle embroidery or
painting on stuffs: I can find no indication on the most
ancient monuments of Chaldaean or Egypt of the manufacturing
of real tapestry.
[Illustration: 316.jpg Egyptian Manuscript]
Part of an Egyptian Manuscript found in the Swathing of a
Mummy
[Illustration: 316-text.jpg Egyptian Manuscript]
Public-domain text, read in full here on John Shaqi.
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