terrible images that they could conceive, a shortened incantation was scrawled on its surface, or it was covered with extraordinary characters, which when the spirits perceived they at once took flight, and the possessor of the talisman escaped the threatened illness. However laughable, and at the same time deplorable, this hopeless medley of exact knowledge and gross superstition may appear to us at the present day, it was the means of bringing a prosperity to the cities of Chaldaea which no amount of actual science would ever have produced. The neighbouring barbaric peoples were imbued with the same ideas as the Chaldaens regarding the constitution of the world and the nature of the laws which governed it. They lived likewise in perpetual fear of those invisible beings whose changeable and arbitrary will actuated all visible phenomena; they attributed all the reverses and misfortunes which overtook them to the direct action of these malevolent beings; they believed firmly in the influence of stars on the course of events; they were constantly on the look out for prodigies, and were greatly alarmed by them, since they had no certain knowledge of the number and nature of their enemies, and the means they had invented for protecting themselves from them or of overcoming them too often proved inefficient. In the eyes of these barbarians, the Chaldeans seemed to be possessed of the very powers which they themselves lacked. The magicians of Chaldaea had forced the demons to obey them and to unmask themselves before them; they read with ease in the heavens the present and future of men and nations; they interpreted the will of the immortals in its smallest manifestations, and with them this faculty was not a limited and ephemeral power, quickly exhausted by use: the rites and formulas known to them enabled them to exercise it freely at all times, in all places, alike upon the most exalted of the gods and the most dreaded of mortals, without its ever becoming weakened. [Illustration:352.jpg A CHALDAEAN AMULET.] Drawn by Faucher-Gudin, from a sketch by Loftus. The original is in the British Museum.