The gold extracted from these regions, together with that brought from Ethiopia, and, better still, the regular payment of taxes and custom-house duties, went to make up for the lack of foreign spoil all the more opportunely, for, although the sovereign did not share the military enthusiasm of Thutmosis III., he had inherited from him the passion for expensive temple-building. [Illustration: 171.jpg THE THREE STANDING COLUMNS OF THE TEMPLE OF SESEBI] Drawn by Boudier, from a photograph by Insinger. He did not neglect Nubia in this respect, but repaired several of the monuments at which the XVIIIth dynasty had worked--among others, Kalabsheh, Dakkeh, and Amada, besides founding a temple at Sesebi, of which three columns are still standing.* * In Lepsius's time there were still four columns standing; Insinger shows us only three. The outline of these columns is not graceful, and the decoration of them is very poor, for art degenerated rapidly in these distant provinces of the empire, and only succeeded in maintaining its vigour and spirit in the immediate neighbourhood of the Pharaoh, as at Abydos, Memphis, and above all at Thebes. Seti's predecessor Ramses, desirous of obliterating all traces of the misfortunes lately brought about by the changes effected by the heretic kings, had contemplated building at Karnak, in front of the pylon of Amenothes III., an enormous hall for the ceremonies connected with the cult of Amon, where the immense numbers of priests and worshippers at festival times could be accommodated without inconvenience. It devolved on Seti to carry out what had been merely an ambitious dream of his father's.* * The great hypostyle hall was cleared and the columns were strengthened in the winter of 1895-6, as far, at least, as it was possible to carry out the work of restoration without imperilling the stability of the whole. We long to know who was the architect possessed of such confidence in his powers that he ventured to design, and was able to carry out, this almost superhuman undertaking. His name would be held up to almost universal admiration beside those of the greatest masters that we are familiar with, for no one in Greece or Italy has left us any work which surpasses it, or which with such simple means could produce a similar impression of boldness and immensity. It is almost impossible to convey by words to those who have not seen it, the impression which it makes on the spectator. Failing description, the dimensions speak for themselves. The hall measures one hundred and sixty-two feet in length, by three hundred and twenty-five in breadth. A row of twelve columns, the largest ever placed inside a building, runs up the centre, having capitals in the form of inverted bells. [Illustration: 173 AN AVENUE OF ONE OF THE AISLES OF THE HYPOSTYLE HALL AT KARNAK] Drawn by Faucher-Gudin, from a photograph by Beato.