History of Egypt, Chaldæa, Syria, Babylonia, and Assyria, Volume 5 (of 12)Maspero, G. (Gaston)
History
History of Egypt, Chaldæa, Syria, Babylonia, and Assyria, Volume 5 (of 12)
Maspero, G. (Gaston)
Civilization, Ancient; Egypt -- History -- To 640 A.D.; History, Ancient; Middle East -- History
A lion and a gazelle play a game of chess. A cat of fashion, with a
flower in her hair, has a disagreement with a goose: they have come to
blows, and the excitable puss, who fears she will come off worst in the
struggle, falls backwards in a fright. The draughtsmen having once found
vent for their satire, stopped at nothing, and even royalty itself did
not escape their attacks. While the writers of the day made fun of the
military calling, both in prose and verse, the caricaturists parodied
the combats and triumphal scenes of the Ramses or Thutmosis of the
day depicted on the walls of the pylons. The Pharaoh of all the rats,
perched upon a chariot drawn by dogs, bravely charges an army of cats;
standing in the heroic attitude of a conqueror, he pierces them with
his darts, while his horses tread the fallen underfoot; his legions
meanwhile in advance of him attack a fort defended by tomcats, with the
same ardour that the Egyptian battalions would display in assaulting a
Syrian stronghold.
[Illustration: 359.jpg A CONCERT OF ANIMALS DEVOTED TO MUSIC]
Drawn by Faucher-Gudin, from Lepsius.
This treatment of ethics did not prevent the Egyptian writers from
giving way to their natural inclinations, and composing large volumes
on this subject after the manner of Kaqimni or Phtahhotpu. One of their
books, in which the aged Ani inscribes his Instructions to his son,
Khonshotpu, is compiled in the form of a dialogue, and contains the
usual commonplaces upon virtue, temperance, piety, the respect due to
parents from children, or to the great ones of this world from
their inferiors. The language in which it is written is ingenious,
picturesque, and at times eloquent; the work explains much that is
obscure in Egyptian life, and upon which the monuments have thrown no
light. "Beware of the woman who goes out surreptitiously in her town, do
not follow her or any like her, do not expose thyself to the experience
of what it costs a man to face an Ocean of which the bounds are
unknown.* The wife whose husband is far from home sends thee letters,
and invites thee to come to her daily when she has no witnesses; if
she succeeds in entangling thee in her net, it is a crime which is
punishable by death as soon as it is known, even if no wicked act has
taken place, for men will commit every sort of crime when under this
temptation alone."
* I have been obliged to paraphrase the sentence
considerably to render it intelligible to the modern reader.
The Egyptian text says briefly: "Do not know the man who
braves the water of the Ocean whose bounds are unknown."_To
know the man_ means here _know the state of the man_ who
does an action.
Public-domain text, read in full here on John Shaqi.
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