The spirit of imitation which we find in the religion and architecture of Phoenicia is no less displayed in the minor arts, such as goldsmiths’work, sculpture in ivory, engraving on gems, and glass-making. The forms, designs, and colours are all rather those of Egypt than of Chaldæa. The many-hued glass objects, turned out by the manufacturers of the Said in millions, furnished at one time valuable cargoes for the Phoenicians; they learned at length to cast and colour copies of these at home, and imitated their Egyptian models so successfully that classical antiquity was often deceived by them.* * Glass manufacture was carried to such a degree of perfection among the Phoenicians, that many ancient authors attributed to them the invention of glass. Their engravers, while still continuing to employ cones and cylinders of Babylonian form, borrowed the scarab type also, and made use of it on the bezils of rings, the pendants of necklaces, and on a kind of bracelet used partly for ornament and partly as a protective amulet. The influence of the Egyptian model did not extend, however, amongst the masses, and we find, therefore, no evidence of it in the case of common objects, such as those of coarse sand or glazed earthenware. Egyptian scarab forms were thus confined to the rich, and the material upon which they are found is generally some costly gem, such as cut and polished agate, onyx, haematite, and lapis-lazuli. The goldsmiths did not slavishly copy the golden and silver bowls which were imported from the Delta; they took their inspiration from the principles displayed in the ornamentation of these objects, but they treated the subjects after their own manner, grouping them afresh and blending them with new designs. The intrinsic value of the metal upon which these artistic conceptions had been impressed led to their destruction, and among the examples which have come down to us I know of no object which can be traced to the period of the Egyptian conquest. It was Theban art for the most part which furnished the Phoenicians with their designs. These included the lotus, the papyrus, the cow standing in a thicket and suckling her calf, the sacred bark, and the king threatening with his uplifted arm the crowd of conquered foes who lie prostrate before him. [Illustration: 117.jpg EGYPTIAN TREATMENT OF THE COW ON A PHOENICIAN BOWL] Drawn by Faucher-Gudin, after Grifi.