of the supreme power, overshadow his shoulders and loins, two of them raised in the air, the others pointing to the earth; he wears on his head the Egyptian skull-cap, from which rises one of the most complicated head-dresses of the royal wardrobe of the Pharaohs. The monarch raises his right hand with the gesture of a man speaking to an assembled people, and as if repeating the legend traced above his image: "I am Cyrus, the king, the Achaemenian." He was buried not far off, in the monumental tomb which he had probably built for himself in a square enclosure, having a portico on three of its sides; a small chamber, with a ridge roof, rises from a base composed of six receding steps, so arranged as to appear of unequal height. [Illustration: 128.jpg CYRUS THE ACHAEMENIAN] Drawn by Boudier, from the photograph by Dieulafoy. The doorway is narrow, and so low that a man of medium statue finds some difficulty in entering. It is surmounted by a hollow moulding, quite Egyptian in style, and was closed by a two-leaved stone door. The golden coffin rested on a couch of the same metal, covered with precious stuffs; and a circular table, laden with drinking-vessels and ornaments enriched with precious stones, completed the furniture of the chamber. The body of the conqueror remained undisturbed on this spot for two centuries under the care of the priests; but while Alexander was waging war on the Indian frontier, the Greek officers, to whom he had entrusted the government of Persia proper, allowed themselves to be tempted by the enormous wealth which the funerary chapel was supposed to contain. [Illustration: 129.jpg THE TOMB OP CYRUS] Drawn by Faucher-Gudin, from the heliogravure of Dieulafoy.