The cultivator of the district of Gu-edin was the god Gishbare, and he was installed in the temple that he might cause the great fields to be fertile, and might make the wheat glisten in Gu-edin, the plain assigned to Ningirsu for his revenues. It was this god’s duty also to tend the machines for irrigation, and to raise the water into the canals and ditches of Shirpurla, and thus to keep the city’s granaries well filled. The god Kal was the guardian of the fishing in Gu-edin, and his chief duty was to place fish in the sacred pools. The steward of Gu-edin was the god Dimgalabzu, whose duty it was to keep the plain in good order, so that the birds might abound there and the beasts might raise their young in peace; he also guarded the special privilege, which the plain enjoyed, of freedom from any tax levied upon the increase of the cattle pastured there. Last of all Gudea installed in E-ninnû the god Lugalenurua-zagakam, who looked after the construction of houses in the city and the building of fortresses upon the city wall; in the temple it was his privilege to raise on high a battle-axe made of cedar. All these lesser deities, having close relations to the god Ningirsu, were installed by Gudea in his temple in close proximity to him, that they might be always ready to perform their special functions. But the greater deities also had their share in the inauguration of the temple, and of these Gudea specially mentions Ana, Enlil, Ninkharsag, Enki, and Enzu, who all assisted in rendering the temple’s lot propitious. For at least three of the greater gods (Ana, Enlil, and the goddess Nin-makh) Gudea erected shrines near one another and probably within the temple’s precincts, and, as the passage which records this fact is broken, it is possible that the missing portion of the text recorded the building of shrines to other deities. In any case, it is clear that the composer of the text represents all the great gods as beholding the erection and inauguration of Ningirsu’s new temple with favour. After the account of the installation of Ningirsu, and his spouse Bau, and his attendant deities, the text records the sumptuous offerings which Gudea placed within Ningirsu’s shrine. These included another chariot drawn by an ass, a seven-headed battle-axe, a sword with nine emblems, a bow with terrible arrows and a quiver decorated with wild beasts and dragons shooting out their tongues, and a bed which was set within the god’s sleeping-chamber. On the couch in the shrine the goddess Bau reclined beside her lord Ningirsu, and ate of the great victims which were sacrificed in their honour.