History of Egypt From 330 B.C. To the Present Time, Volume 11 (of 12)Rappoport, A. S. (Angelo Solomon)
History
History of Egypt From 330 B.C. To the Present Time, Volume 11 (of 12)
Rappoport, A. S. (Angelo Solomon)
Egypt -- History
The wishes of the emperor were ably followed up by Theophilus, Bishop of
Alexandria. He cleansed the temple of Mithra, and overthrew the statues
in the celebrated temple of Serapis, which seemed the very citadel of
paganism. He also exposed to public ridicule the mystic ornaments and
statues which a large part of his fellow-citizens still regarded as
sacred. It was not, however, to be supposed that this could be peaceably
borne by a people so irritable as the Alexandrians. The students in the
schools of philosophy put themselves at the head of the mob to stop the
work of destruction, and to revenge themselves upon their assailants,
and several battles were fought in the streets between the pagans
and the Christians, in which both parties lost many lives; but as the
Christians were supported by the power of the prefect, the pagans were
routed, and many whose rank would have made them objects of punishment
were forced to fly from Alexandria.
No sooner had the troops under the command of the prefect put down the
pagan opposition than the work of destruction was again carried forward
by the zeal of the bishop. The temples were broken open, their ornaments
destroyed, and the statues of the gods melted for the use of the
Alexandrian church. One statue of an Egyptian god was alone saved from
the wreck, and was set up in mockery of those who had worshipped it;
and this ridicule of their religion was a cause of greater anger to the
pagans than even the destruction of the other statues. The great statue
of Serapis, which was made of wood covered with plates of metal, was
knocked to pieces by the axes of the soldiers. The head and limbs were
broken off, and the wooden trunk was burnt in the amphitheatre amid
the shouts and jeers of the bystanders. A conjectured fragment of this
statue is now in the British Museum.
Public-domain text, read in full here on John Shaqi.
Reviews
Reviews
No reviews yet
Be the first to share your thoughts on this work.
Elsewhere in the archive
Join the Discussion
Join the discussion
Sign in to leave a comment or review.
Sign InorCreate an account