History of Embalming: and of Preparations in Anatomy, Pathology, and Natural History; Including an Account of a New Process for EmbalmingGannal, J.-N. (Jean-Nicolas)
History
History of Embalming: and of Preparations in Anatomy, Pathology, and Natural History; Including an Account of a New Process for Embalming
Gannal, J.-N. (Jean-Nicolas)
Anatomical specimens -- Collection and preservation; Embalming -- History; Mummies
But this library, so eloquent and instructive, does it exist at the
present time? Do we possess the means of forming such? The examination
of the various processes, ought to furnish us with an answer to this
question; it will besides enable our readers to estimate for themselves
the part that our method may enjoy in the accomplishment of this object.
And first, in admitting the utility of _engravings_ of _models in
wax_, and in _artificial carton_,[L] in _white wood_, or in other
compositions kept secret by their authors, we feel that whatever may
be the accuracy of these different representations, they never can
afford but an incomplete idea of the thing represented. 1st. _Plates
and engravings_, so advantageous for reference, to recall the study
made upon the corpse, have lost their importance in proportion as
the means of obtaining dead bodies have become more easy: they are
calculated to render great service and contribute to the progress of
science in the fine anatomical works of Meckel, Lauth, Haller, Zinn,
Hunter, Cruikshank, Cowper, Vic-d, Azyr, and of numerous other learned
authors; at the present day, even, they are justly esteemed in the
great works of MM. Cloquet, Bourgerie, &c. (The plates of the work of
M. Bourgerie, are executed with remarkable care, and will form an epoch
in the history of anatomical works.) But they occupy a secondary place,
only to aid the memory; for of whatever good they may be, they must
always have many inconveniences: 1. They fatigue attention, because it
is necessary so often to multiply the figures, when it is requisite to
examine an object under all its aspects where it is of importance to
perceive it; 2. The organs are rarely seen of their natural dimensions;
3. Whatever may be the exactitude of the drawing, it is difficult to
form a just idea of the relief and dimension of the organs; 4. The
relations which they indicate are always incomplete; it is impossible
thus to represent all the organs in their position, and in their
natural relations.
[L] A composition of papier maché, with which Dr. Azoux has so
beautifully represented anatomical subjects.--_Tr._
Public-domain text, read in full here on John Shaqi.
Reviews
Reviews
No reviews yet
Be the first to share your thoughts on this work.
Elsewhere in the archive
Join the Discussion
Join the discussion
Sign in to leave a comment or review.
Sign InorCreate an account