History of English Humour, Vol. 1: With an Introduction upon Ancient HumourL'Estrange, A. G. K. (Alfred Guy Kingan)
Philosophy
History of English Humour, Vol. 1: With an Introduction upon Ancient Humour
L'Estrange, A. G. K. (Alfred Guy Kingan)
English wit and humor -- History and criticism; Wit and humor -- History and criticism
At first it occasions us no little surprise to find the clergy of the
early centuries so prone to attack and ridicule one another, but we must
remember that there was then no reading public, and that the few copies
of books in existence were mostly within the walls of the monasteries.
Thus, the object of these writers would be like that of St. Jerome in
his letters, not so much to disgrace the Church as to improve its
discipline. We can also, perhaps, understand how the conflicts between
the parish priests and monks led them sometimes to caricature each other
in the grotesque heads of corbels and gargoyles; nor does it surprise us
that Luther, indignant and rude, should portray the Pope to the public
under the form of a jackass.
But how can we account for the strange and profane caricatures which are
so numerous in the stone and wood carvings of our cathedrals? In the
scriptural ornamentation of the thirteenth century in Strasburg
Cathedral, there was the representation of a funeral performed by
animals--a hare carried the taper, a wolf the cross, and a bear the holy
water--while in another place a stag was celebrating mass, and an ass
reading the gospel. We often find carvings in which foxes are habited as
ecclesiastics, sometimes accompanied by geese, who represent their
flock, and thus we can understand the significance of the design in
Sherborne Minster and Wellingborough, where two geese are hanging a fox.
In St. Mary's, Beverley, are two foxes dressed as ecclesiastics, each
holding a pastoral staff, while a goose's head is peeping out of his
hood. At Boston Church we find a fox in a cope and episcopal vestments,
seated on a throne, and holding a pastoral staff, while on the right is
an ass holding a book for the bishop to read. The fact was that no means
were left untried by the Church to make converts and to obtain a hold on
the people. They wished to render religion as attractive as possible,
and perhaps to direct and control tendencies which they could not
destroy. It was then a favourite doctrine that the end justified the
means--the Roman Church instituted persecutions, adopted heathen rites,
and ordained fasts and festivals to impress the mind. It is recorded
that Theophylact of Constantinople introduced into the Church, in the
tenth century, the licentious "Feast of Fools," to wean the people from
the revels of their old religion, and have we not until late years
celebrated the Nativity of our Lord, not only by games and frolics, but
gluttony and drunkenness, and riotous proceedings, under pagan misletoe!
I believe that among the masses of the people the Roman saturnalia still
survive. We need not then be surprised that the early Christians tried
to recommend religion by unsuitable ornamentation. They adopted all
kinds of floral designs, they represented fables and romances. In the
old church of Budleigh, in Devonshire--which Sir Walter Raleigh
attended, and where his head is buried--all kinds of devices are
Public-domain text, read in full here on John Shaqi.
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