History of English Humour, Vol. 1: With an Introduction upon Ancient HumourL'Estrange, A. G. K. (Alfred Guy Kingan)
Philosophy
History of English Humour, Vol. 1: With an Introduction upon Ancient Humour
L'Estrange, A. G. K. (Alfred Guy Kingan)
English wit and humor -- History and criticism; Wit and humor -- History and criticism
Ancient Prophets, and accompanied by Virgil! Balaam, armed with a
tremendous pair of spurs, rode a wooden ass, in which a man was
enclosed. Robert Grosseteste, Bishop of Lincoln, forbade the celebration
in churches of the "Feast of Fools," in which the clergy danced and
gesticulated in masks. The "Mysteries" seem sometimes to have been of
extraordinary length, for there was a play called "The Creation,"
performed at Clerkenwell which lasted eight days.
Pageantry as well as humour--devices appealing to the senses--were
largely employed to enliven the exhibitions of early times. In the
Christmas games in the reign of Edward I., we find they made use of
eighty tunics of buckram of various colours, forty-two vizors, fourteen
faces of women, fourteen of men, and the same number of angels, as well
as imitations of dragons, peacocks, and swans.
The taking of Constantinople in 1453 scattered the men of learning
throughout the West, and led to a revival of literature. The drama
recommenced with representations of the old plays of Plautus. They were
performed at the Universities, and on state occasions, as in 1528, when
Henry VIII. had a stage erected in his great hall at Greenwich.
But the first development seems to have been in Spain, where the old
Romans had left their impress, and where the cruel games of the circus
still survive in the form of bull-fights. Lopez de Reuda, of Seville,
first brought comedy on the stage, but Cervantes tells us that then the
whole wardrobe of an actor consisted of four sheep-skins, trimmed with
gilt leather, four beards, four wigs, and four shepherds' crooks.
Nevertheless, after the classical period, Spain became the repertory for
the comedians of Europe.
So far we have traced the origin of comedy as to public performance. We
now come to consider what tendencies of disposition opened the way for
it, and led to its becoming a branch of literature. The love of
amusement, which is so strong in man, induced the patronage, which in
early times was extended to the various kinds of professors of light
arts.
Public-domain text, read in full here on John Shaqi.
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