History of English Humour, Vol. 1: With an Introduction upon Ancient HumourL'Estrange, A. G. K. (Alfred Guy Kingan)
Philosophy
History of English Humour, Vol. 1: With an Introduction upon Ancient Humour
L'Estrange, A. G. K. (Alfred Guy Kingan)
English wit and humor -- History and criticism; Wit and humor -- History and criticism
The state of ignorance among the Saxons may be imagined from the fact
that Alfred was twelve years old before he could get a master capable of
teaching him the alphabet, and even after the invention of paper in the
eleventh century books were very scarce. The cause of the scanty supply
of literature was not only the general destruction which had taken
place, but also that there was no demand for it. Archbishop Lanfranc,
with a view to improve education in England, directed in 1072 that a
book should be given to each of the monks, who were to be allowed a year
to read it, and what follows gives us some idea of the indolence of
these representatives of learning, for it was ordered that if the monk
has not then read it he is to prostrate himself, and ask pardon of the
abbot. The monks of Winchester were probably not much troubled in this
way, for some time afterwards the library of the bishop of that diocese
only consisted of seven books. What must then have been the ignorance of
the masses of the population! We should scarcely believe that such a
relapse could have taken place had we not seen the centres of
civilization in the world successively succumbing, and the greatest
cities becoming desolate, and did we not reflect that, but for such
vicissitudes, mankind must have attained a far greater degree of
excellence than has been reached at the present day.
The first kind of composition attempted by the mind of man is that which
expresses religious feelings, and the idea that there exists a being
greater than himself. That dim searching after something beyond
experience could seldom confine itself to its legitimate direction, but
by dreams and hopes, and by the love of the marvellous--that early
source of idealism--strayed into a variety of fabulous and legendary
mazes. Hence arose all the strange and grotesque myths about heathen
gods and Christian saints which occupy the shadowy borders between
chaos and history. The stories which were current in this country in
early times spoke of miracles worked by the Virgin, represented St.
Christopher as a giant twenty-four feet high, and related how "Seynt
Pateryk" banished the "wormes" from Ireland; or sometimes would draw
from the rich mine of Rabbinical tradition such allegorical fictions as
that, when Noah planted the vine, Satan was present and sacrificed a
sheep, a lion, an ape, and a sow, representing the different stages of
inebriety.[34]
But man's awakening thoughts turn not only to his Protector above, but
also to his enemies below, and thus the exploits of warlike heroes, who
generally combine the religious with the military character, easily
became tempting themes for the exercise of fancy.
Public-domain text, read in full here on John Shaqi.
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