History of English Humour, Vol. 1: With an Introduction upon Ancient HumourL'Estrange, A. G. K. (Alfred Guy Kingan)
Philosophy
History of English Humour, Vol. 1: With an Introduction upon Ancient Humour
L'Estrange, A. G. K. (Alfred Guy Kingan)
English wit and humor -- History and criticism; Wit and humor -- History and criticism
But the imaginative powers were soon to be developed upon more
attractive themes. War and Religion were about to be blended in the
grand drama of the Crusades, prompted alike by zeal for the faith, by
hatred of the Moslem, and by thirst for military glory. The first nobles
of the West arrayed themselves in their armour, collected their
retainers, and set out for the lands of the rising sun. Here they came
into contact with an Eastern civilization, ornate and dazzling, superior
to their own, but still in a state of childhood, and revelling in the
fanciful creations which please the infantine mind.[38] Foremost among
the Christian knights went the Barons of Provence, accompanied by troops
of minstrels--troubadours to sing their praises; and we might well
suppose that some of the wonders of the dreaming East would now find
their way into Europe, interwoven with the doughty deeds of the
Christian heroes. This view is corroborated by the fact that almost all
our early romances recount some great exploits performed against the
Saracens; but the marvels they relate, from whatever source they come,
were in accordance with the times in which they were written, for as
alchemy preceded chemistry, so romance-writing was the commencement of
literature. Some of the Arabian stories had considerable grace and
beauty, and are even now attractive to the young. But whether our poets
borrowed from this prolific source or not, it is certain that about this
time they became more ambitious, and produced regular tales of
considerable length, in which the northern gallantry towards the fair
sex was combined with extravagances resembling those of Eastern
invention.
Not until this time were the early heroic legends of this country
developed, and committed to writing, and as they appeared first in
French, some writers--among whom is Ritson--have concluded that they
were merely the offspring of our neighbours' fertile imagination. But
although the poets who recounted these stories wrote in French, they
were in attendance at the English Court, in which, even before the
Conquest, French was the language used, while Latin was that of the
learned, and Saxon that of the country-people. Henry the First, the
great patron of letters, sometimes held his Court at Caen, so that the
Norman poets who were competing for his favour, were doubtless familiar
with the legendary history of England. The first important works in the
French language seem to have come from Normandy, and it is not
improbable that some of them were written in England. They were called
romances, because they were composed in one of the languages of Southern
Europe, containing a large element of the Roman, which we find was still
used among the soldiery as late as the seventh century. It has been
supposed that all our early Anglo-Norman romances were translations from
the French, except the "Squyr of Lowe Degre," and of some the originals
are still extant.
Public-domain text, read in full here on John Shaqi.
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