History of English Humour, Vol. 2L'Estrange, A. G. K. (Alfred Guy Kingan)
History
History of English Humour, Vol. 2
L'Estrange, A. G. K. (Alfred Guy Kingan)
English wit and humor -- History and criticism; Wit and humor -- History and criticism
But in raising a laugh and affording a pleasant distraction by fantastic
humour on common subjects, the "Ingoldsby Legends" have been highly
successful, and they are recommended by an occasional historical
allusion, especially at the expense of the old monks. Being written by a
man of knowledge and cultivation, they rise considerably above the
standard of the contributions to lower class comic papers, which in some
respects they resemble.
CHAPTER XVI.
Douglas Jerrold--Liberal Politics--Advantages of Ugliness--Button
Conspiracy--Advocacy of Dirt--The "Genteel Pigeons."
There is an earnestness and a political complexion in the humour of
Douglas Jerrold, such as might be expected from a man who had been
educated in the school of adversity. He was born in a garret at
Sheerness, where his father was manager of the theatre; and as he grew
up in the seaport among ships, sailors and naval preparations, his
ambition was fired, and he entered the service as a midshipman. On his
return, after a short period, he found his father immersed in
difficulties, due probably to the inactivity at the seaport in time of
peace. Many a man has owed his success in life partly to his following
his father's profession, and here fortune favoured Jerrold, as his
maritime experiences assisted him as a writer for the stage. We can
easily understand how "Black-eyed Susan" would move the hearts of
sailors returning after a long voyage. Meanwhile the inner power and
energy of the man developed itself in many directions; he perfected
himself in Latin, French and Italian literature, wrote "leaders" for the
"Morning Herald," and articles for Magazines. All his works were short,
and those which were most approved never assumed an important character.
The most successful enterprise in his career was his starting "Punch,"
in conjunction with Gilbert' A-Beckett and Mark Lemon.
Jerrold was a staunch and sturdy liberal, and his original idea was that
of a periodical to expose every kind of hypocrisy, and fraud, and
especially to attack the strongholds of Toryism. "Punch" owed much at
its commencement to the pen of Jerrold, and has well retained its
character for fun, although it scarcely now represents its projector's
political ardour.
His conversation overflowed with pleasantry, and in conversation he
sometimes hazarded a pun, as when he asked Talfourd whether he had any
more "Ions" in the fire. But the critic, who says that "every jest of
his was a gross incivility made palatable by a pun," is singularly
infelicitous, for as a humorous writer he is almost unique in his
freedom from verbal humour. His style is often adagial or exaggerated,
and we are constantly meeting such sentences as;
"Music was only invented to gammon human nature, and that is the
reason that women are so fond of it."
"A fellow from a horsepond will know anybody who's a supper and a
bed to give him."
Public-domain text, read in full here on John Shaqi.
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