History of English Humour, Vol. 2L'Estrange, A. G. K. (Alfred Guy Kingan)
History
History of English Humour, Vol. 2
L'Estrange, A. G. K. (Alfred Guy Kingan)
English wit and humor -- History and criticism; Wit and humor -- History and criticism
"Lady Morley bore off the palm among the 'witty women' of the day.
She was never 'willing to wound.' Her printed pieces, though short
and scattered, attest the rare merits of her humour. The 'Petition
of the Hens of Great Britain to the House of Commons against the
Importation of French eggs,' is an excellent specimen of them."
In corroboration of this view of the different complexion of men's
humour I may mention that in the course of this work I have often had
the sayings of various wits intermixed and have always been able easily
to assign each to its author.
Considering the great diversity in the appreciation of the ludicrous,
the question arises is it merely a name for many different emotions, or
has it always some invariable character. To decide this we may ask the
question, Is one kind of humour better than another? Practically the
answer is given every day, one saying being pronounced "good" if not
"capital," and another "very poor," or a "mild" joke; and when we see
humour varying with education, and with the ages of men and nations, we
cannot but suppose that there are gradations of excellence in it.
Now, if we allow generally this ascending scale in the ludicrous, we
admit a basis of comparison, and consequently a link between the various
circumstances in which it is found. It may be objected that in the
somewhat similar case of Beauty, there is no connection between the
different kinds. But the ludicrous stands alone among the emotions, and
is especially in contrast with that of Beauty in this--that it is
peculiarly dependent on the judgment, as beauty is on the senses. That
we understand more about the ludicrous than about beauty is evident from
its being far easier to make what is beautiful appear ludicrous than
what is ludicrous appear beautiful.
There is something unique in the perception of the ludicrous. It seems
to strike and pass away too quickly for an emotion. The lightness of the
impression produced by laughter is the reason why, although we often
remember to have felt alarmed or pleased in dreams, we never remember to
have been amused. The imperfect circulation of the blood in the head
during sleep causes the reason to be partially dormant, and leads to
strange fantasies being brought before us. But that our judgment is not
entirely inactive is evident from the emotions we feel, and among them
is the ludicrous, for many people laugh in their sleep, and when they
are awakened think over the strange visions. They then laugh, but never
remember having done so before. Memory is much affected by sleep, the
greater number of our dreams are entirely forgotten, and the emotions
and circumstances of the ludicrous easily pass from our remembrance.
Public-domain text, read in full here on John Shaqi.
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