History of English Humour, Vol. 2L'Estrange, A. G. K. (Alfred Guy Kingan)
History
History of English Humour, Vol. 2
L'Estrange, A. G. K. (Alfred Guy Kingan)
English wit and humor -- History and criticism; Wit and humor -- History and criticism
Definition cannot be formed without analysis and comparison, and as few
people indulge much in either, they accomplish it very roughly, but it
answers their purpose, and they are contented until they find themselves
wrong. Hence we commonly consider that nearly everything can be defined.
We may then call the ludicrous "an element in things which tends to
create laughter." This may be considered a fair definition, and although
it is quite untrue, and founded on a superficial view of the ludicrous,
it may give us the characteristics which men had in view in originally
giving the name at a time when they had little consideration or
experience. But if we require more, and ask for a definition which will
stand the test of philosophical examination, we must reply that such
only can be given as is dependent upon the satisfaction of the inquirer.
Progressive minds will find it difficult to circumscribe the meaning of
words, especially on matters with which they are well acquainted.
Brown, in his "Lectures on the Philosophy of the Human Mind," observes
that the ludicrous is a compound feeling of gladness and astonishment;
not a very comprehensive view, for according to it, if a man were
informed that he had been left a sum of money, he would regard his good
fortune as highly absurd.
Beattie maintains, on the contrary, that the ludicrous is a simple
feeling, and therefore indefinable, a statement in which the premise
seems more correct than the conclusion. The opinion that it is simple
and primary, although not admitting of proof, has some probability in
its favour. It arose from a conviction that we had no means of reaching
it, of taking it to pieces, and was derived from the unsatisfactory
character of such attempts as that of Brown, or from analogy with some
other emotions, or with physical substances whose essence we cannot
ascertain. If we can connect the ludicrous with certain acts of
judgment, we cannot tell how far the emotion is modified by them, and
even if we seem to have detected some elements in it, we were not
conscious of them at the moment of our being amused. If they exist, they
are then undiscernible.
As when we regard a work of art, we are not sensible of pleasure until
all the several elements of beauty are blended together, so if the
ludicrous be a compound, there is some power within us that fuses the
several emotions into one, and evolves out of them a completely new and
distinct feeling. The product has a different nature from its component
parts, just as the union of the blue, yellow and red give the simple
sensation of whiteness. Regard the elements as separate and the feeling
vanishes.
Public-domain text, read in full here on John Shaqi.
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