History of English Literature from "Beowulf" to SwinburneLang, Andrew
History
History of English Literature from "Beowulf" to Swinburne
Lang, Andrew
English literature -- History and criticism
This is the vision of beauty which haunts and evades Marlowe, as the
shadow of the mother of Odysseus in Hades fades away from his embrace.
Sometimes it appears to him
like women or unmarried maids,
Shadowing more beauty in their airy brows
Than have the white breasts of the Queen of Love.
Again, in "Dr. Faustus," a new Tamburlaine who seeks the impossible in
magic, not by arms, and sells his soul to the Adversary, the vision
arises in the form of Helen of Troy, that ancient symbol of the World's
Desire.
Was this the face that launched a thousand ships
And burnt the topless towers of Ilium...
Oh, thou art fairer than the evening air,
Clad in the beauty of a thousand stars.
In this absolute perfection of the magic of verse, we see the true
conquest of Marlowe: as in the agonies of the last hour of Faustus,
Cut is the branch that might have grown full straight
And burned is Apollo's Laurel Bough.
The last act is full of pity and of terror.
The dagger-thrust that slew Marlowe in a Deptford tavern, at the end of
May, 1593, robbed English poetry of a genius whose future performance
cannot be measured, nor can the form which it might have taken be
guessed. The comic prose scenes in "Faustus" are very stupid and may
perhaps be by another hand, but nothing in Marlowe indicates the gift
of humour.
In "The Jew of Malta" Barabas, on a scale less disproportionate than
Tamburlaine, represents immeasurable desire of wealth, not of royalty.
In the earlier scenes the speeches of Barabas, with the recurrence
of romantic and sonorous names, in a way remind us of Milton. The
Jew, ill-treated as he is, is not allowed to be sympathetic, and
the monstrosity of his crimes reminds the modern reader of Aytoun's
"Firmilian": with a touch of the story of the Hunchback in the "Arabian
Nights". Though Barabas has a beloved daughter, rapidly converted
to Christianity, though his ducats and his daughter are all that he
loves, he lags very far behind Shylock. The play was well calculated
for popularity, but, save Barabas, it contains no character of marked
merit.
Public-domain text, read in full here on John Shaqi.
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