History of English Literature from "Beowulf" to SwinburneLang, Andrew
History
History of English Literature from "Beowulf" to Swinburne
Lang, Andrew
English literature -- History and criticism
Hot sun, cool fire, tempered with sweet air.
Greene has his
Ah, what is love, it is a pretty thing,
As sweet unto a shepherd as a king,
which is in the spirit of Burns's best songs of rural love; and his
courtly love song with the French refrain,
_N'oserez vous, mon bel ami!_
and his Lullaby
Weep not my wanton, smile upon my knee,
When thou art old, there's grief enough for thee.
This has the charm of the folk-songs,
Old and plain,
And dallying with the innocence of love.
It may also be said that, at the opposite pole, Greene's snatches of
English hexameters are the best of their kind then written.
If nothing else Of Lyly's existed his
Cupid and my Campaspe played
At cards for kisses--Cupid payed,
would keep his memory green.
Lodge has been blamed as a common plagiary because he translated so
many of his lyrics, not always or often with due acknowledgment, from
Des Portes and Ronsard. But in some cases he improved the land which
he conquered, and his "Love in my bosom like a bee," "Down a down!"
"Thus Phyllis sung," and "Pluck the fruit and taste the pleasures," are
genuine additions to English song, and prelude to Shakespeare's, and
the music of the coming generation.
All of the treasures of his predecessors are not equivalent or nearly
equivalent to the small change of Shakespeare's genius. But the best
things in his predecessors' work indicate that, in a favourite phrase
of Aristotle, "Nature was wishing to make" a Shakespeare. Yet was the
birth of his genius none the less a miracle. He did much more than
combine all that was good in all the others. He added that which is
universal and eternal.
Shakespeare.
Concerning the life of William Shakspere (as he signed it), or
Shakespeare (as his name was usually spelled), only a few essential
facts are known from records of his own time, mainly documents
concerning the legal affairs of himself, his family, and the
theatrical company with which he was connected. Unlike many of the
contemporary playwrights he was not a member of either University, and
so college records about him are necessarily absent: and there is no
contemporary roll of names of pupils at the school of his native place,
Stratford-on-Avon.
Public-domain text, read in full here on John Shaqi.
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