History of English Literature from "Beowulf" to SwinburneLang, Andrew
History
History of English Literature from "Beowulf" to Swinburne
Lang, Andrew
English literature -- History and criticism
The behaviour of the Duchess of Malfi, in the play of that name
(printed 1623), introduced as she is by a noble panegyric, does not
prepare us for her sudden wooing of her steward, Antonio. Her brothers,
like the brothers of Keats's Isabella, determine to punish her: their
instrument, Bosolo, is a character not wholly lost, who deliberately
sells himself to guilt; and the scene in which eight madmen are let
loose to dance round the Duchess--they do not shake her resolution,--is
much admired. She is strangled, the children are strangled on all
sides, the servant Cariola is strangled, though "she bites and
scratches". The Fifth Act is a scene of the Kilkenny cats; almost
everybody, including Bosolo, is stabbed, and Ford, in commendatory
verses, applauds Webster, as at least the equal of the Athenian
tragedians.
Webster's genius was confessedly "subdued to that it worked in". In
the preface to "The White Devil" he complains that the public will not
endure a tragedy which observes the critical laws; "the sententious
Chorus," and "the passionate and weighty Nuntius," the messenger who,
in Greek tragedy, reports the horrors done off the stage. Deprived of
the messenger, obliged to work his massacres on the scene, Webster was
unsparing in horrors. His "Devil's Lawsuit" is a complicated web of
squalid intrigue; the blank verse is utterly degenerate; and "Appius
and Virginia" is not remarkable for originality in the representation
of that famous Roman story.
Webster's idea of a ghost was rather unconventional; Brachiano's
phantasm in "The White Devil" wore no common sheet, but "leather
cassock and breeches, and boots; with a cowl, in his hand a pot of lily
flowers, with a skull in't". Dekker advises his Gull at the play to
laugh aloud in the crisis of the tragedy, and probably there were some
hardy or hysterical spectators who thus received the too, too solid
spirit of Brachiano. The Tragedy of Revenge inspired Cyril Tourneur's
"Revenger's Tragedy," and horror has her home in this play and his
"Atheist's Tragedy". What in them deserves reading may be found in
Lamb's extracts.
Massinger.
Public-domain text, read in full here on John Shaqi.
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