History of English Literature Volume 1 (of 3)Taine, Hippolyte
History
History of English Literature Volume 1 (of 3)
Taine, Hippolyte
English literature -- History and criticism
When human power is manifested so clearly and in such great works, it is
no wonder if the ideal changes, and the old pagan idea reappears. It
recurs, bringing with it the worship of beauty and vigor, first in
Italy; for this, of all countries in Europe, is the most pagan, and the
nearest to the ancient civilization; thence in France and Spain, and
Flanders, and even in Germany; and finally in England. How is it
propagated? What revolution of manners reunited mankind at this time,
everywhere, under a sentiment which they had forgotten for fifteen
hundred years? Merely that their condition had improved, and they felt
it. The idea ever expresses the actual situation, and the creatures of
the imagination, like the conceptions of the mind, only manifest the
state of society and the degree of its welfare; there is a fixed
connection between what man admires and what he is. While misery
overwhelms him, while the decadence is visible, and hope shut out, he is
inclined to curse his life on earth, and seek consolation in another
sphere. As soon as his sufferings are alleviated, his power made
manifest, his prospects brightened, he begins once more to love the
present life, to be self-confident, to love and praise energy, genius,
all the effective faculties which labor to procure him happiness. About
the twentieth year of Elizabeth's reign, the nobles gave up shield and
two-handed sword for the rapier;[266] a little, almost imperceptible
fact, yet vast, for it is like the change which sixty years ago made us
give up the sword at court, to leave us with our arms swinging about in
our black coats. In fact, it was the close of feudal life, and the
beginning of court life, just as today court life is at an end, and the
democratic reign has begun. With the two-handed swords, heavy coats of
mail, feudal keeps, private warfare, permanent disorder, all the
scourges of the Middle Ages retired, and faded into the past. The
English had done with the Wars of the Roses. They no longer ran the risk
of being pillaged to-morrow for being rich, and hanged the next day for
being traitors; they have no further need to furbish up their armor,
make alliances with powerful nations, lay in stores for the winter,
gather together men-at-arms, scour the country to plunder and hang
others.[267] The monarchy, in England, as throughout Europe, establishes
peace in the community,[268] and with peace appear the useful arts.
Domestic comfort follows civil security; and man, better furnished in
his home, better protected in his hamlet, takes pleasure in his life on
earth, which he has changed, and means to change.
Public-domain text, read in full here on John Shaqi.
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