History of English Literature Volume 1 (of 3)Taine, Hippolyte
History
History of English Literature Volume 1 (of 3)
Taine, Hippolyte
English literature -- History and criticism
In the life of every man there are moments when, in presence of objects,
he experiences a shock. This mass of ideas, of mangled recollections, of
mutilated images, which lie hidden in all corners of his mind, are set
in motion, organized, suddenly developed like a flower. He is
enraptured; he cannot help looking at and admiring the charming creature
which has just appeared; he wishes to see it again, and others like it,
and dreams of nothing else. There are such moments in the life of
nations, and this is one of them. They are happy in contemplating
beautiful things, and wish only that they should be the most beautiful
possible. They are not preoccupied, as we are, with theories. They do
not excite themselves to express moral or philosophical ideas. They wish
to enjoy through the imagination, through the eyes, like those Italian
nobles, who, at the same time, were so captivated by fine colors and
forms that they covered with paintings not only their rooms and their
churches, but the lids of their chests and the saddles of their horses.
The rich and green sunny country; young, gayly attired ladies, blooming
with health and love; half-draped gods and goddesses, masterpieces and
models of strength and grace--these are the most lovely objects which
man can contemplate, the most capable of satisfying his senses and his
heart--of giving rise to smiles and joy; and these are the objects which
occur in all the poets in a most wonderful abundance of songs,
pastorals, sonnets, little fugitive pieces, so lively, delicate, easily
unfolded, that we have never since had their equals. What though Venus
and Cupid have lost their altars? Like the contemporary painters of
Italy, they willingly imagine a beautiful naked child, drawn on a
chariot of gold through the limpid air; or a woman, redolent with youth,
standing on the waves, which kiss her snowy feet. Harsh Ben Jonson is
ravished with the scene. The disciplined battalion of his sturdy verses
changes into a band of little graceful strophes, which trip as lightly
as Raphael's children. He sees his lady approach, sitting on the chariot
of Love, drawn by swans and doves. Love leads the car; she passes calm
and smiling, and all hearts, charmed by her divine looks, wish no other
joy than to see and serve her forever.
Public-domain text, read in full here on John Shaqi.
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