History of English Literature Volume 1 (of 3)Taine, Hippolyte
History
History of English Literature Volume 1 (of 3)
Taine, Hippolyte
English literature -- History and criticism
down, and their readers too, as a natural consequence. They are never on
the prose-level, but always above or below--above by their poetic
genius, below by the weight of their education and the barbarism of
their manners. But they think seriously and for themselves; they are
deliberate; they are convinced and touched by what they say. Even in the
compiler we find a force and loyalty of spirit, which give confidence
and cause pleasure. Their writings are like the powerful and heavy
engravings of their contemporaries, the maps of Hofnagel for instance,
so harsh and so instructive; their conception is sharp and clear; they
have the gift of perceiving every object, not under a general aspect,
like the classical writers, but specially and individually. It is not
man in the abstract, the citizen as he is everywhere, the countryman as
such, that they represent, but James or Thomas, Smith or Brown, of such
a parish, from such an office, with such and such attitude or dress,
distinct from all others; in short, they see, not the idea, but the
individual. Imagine the disturbance that such a disposition produces in
a man's head, how the regular order of ideas becomes deranged by it; how
every object, with the infinite medley of its forms, properties,
appendages, will thenceforth fasten itself by a hundred points of
contact unforeseen to other objects, and bring before the mind a series
and a family; what boldness language will derive from it; what familiar,
picturesque, absurd words, will break forth in succession; how the dash,
the unforeseen, the originality and inequality of invention, will stand
out. Imagine, at the same time, what a hold this form of mind has on
objects, how many facts it condenses in each conception; what a mass of
personal judgments, foreign authorities, suppositions, guesses,
imaginations, it spreads over every subject; with what venturesome and
creative fecundity it engenders both truth and conjecture. It is an
extraordinary chaos of thoughts and forms, often abortive, still more
often barbarous, sometimes grand. But from this superfluity something
lasting and great is produced; namely, science, and we have only to
examine more closely into one or two of these works to see the new
creation emerge from the blocks and the debris.
SECTION III.--Robert Burton
Public-domain text, read in full here on John Shaqi.
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