History of English Literature Volume 1 (of 3)Taine, Hippolyte
History
History of English Literature Volume 1 (of 3)
Taine, Hippolyte
English literature -- History and criticism
pointed as those of Martial." Such were the recreations of an
intelligent race, eager for ideas, of ready and flexible genius, whose
clear thought was not clouded, like that of the Saxon brain, by drunken
hallucinations and the vapors of a greedy and well-filled stomach. They
loved conversations, tales of adventure. Side by side with their Latin
chroniclers, Henry of Huntingdon, William of Malmesbury, thoughtful men
already, who could not only relate, but criticise here and there, there
were rhyming chronicles in the vulgar tongue, as those of Geoffroy
Gaimar, Bénoît de Sainte-Maure, Robert Wace. Do not imagine that their
verse-writers were sterile of words or lacking in details. They were
talkers, tale-tellers, speakers above all, ready of tongue, and never
stinted in speech. Not singers by any means; they speak--this is their
strong point, in their poems as in their chronicles. They were the
earliest who wrote the "Song of Roland"; upon this they accumulated a
multitude of songs concerning Charlemagne and his peers, concerning
Arthur and Merlin, the Greeks and Romans, King Horn, Guy of Warwick,
every prince and every people. Their minstrels (_trouvères_), like
their knights, draw in abundance from Welsh, Franks, and Latins, and
descend upon East and West in the wide field of adventure. They address
themselves to a spirit of inquiry, as the Saxons to enthusiasm, and
dilute in their long, clear, and flowing narratives the lively colors of
German and Breton traditions; battles, surprises, single combats,
embassies, speeches, processions, ceremonies, huntings, a variety of
amusing events, employ their ready and wandering imaginations. At first,
in the "Song of Roland," it is still kept in check; it walks with long
strides, but only walks. Presently its wings have grown; incidents are
multiplied; giants and monsters abound, the natural disappears, the song
of the jongleur grows a poem under the hands of the _trouvère_; he
would speak, like Nestor of old, five, even six years running, and not
grow tired or stop. Forty thousand verses are not too much to satisfy
their gabble; a facile mind, copious, inquisitive, descriptive, such is
the genius of the race. The Gauls, their fathers, used to delay
travellers on the road to make them tell their stories, and boasted,
like these, "of fighting well and talking with ease."
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