History of English Literature Volume 2 (of 3)Taine, Hippolyte
History
History of English Literature Volume 2 (of 3)
Taine, Hippolyte
English literature -- History and criticism
surveillance over the private life and home devotions of every member of
a family, depriving Catholics of their children, imposing the abjuration
of Popery under pain of perpetual imprisonment or death, dragging crowds
of witches[222] to the stake.[223] It seemed as though a black cloud had
weighed down the life of man, drowning all light, wiping out all beauty,
extinguishing all joy, pierced here and there by the glitter of the
sword and by the dickering of torches, beneath which one might perceive
the indistinct forms of gloomy despots, of bilious sectarians, of silent
victims.
Section II.--A Frenchman's View of the Manners of the Time
After the Restoration a deliverance ensued. Like a checked and choked-up
stream, public opinion dashed with all its natural force and all its
acquired momentum, into the bed from which it had been debarred. The
outburst carried away the dams. The violent return to the senses drowned
morality. Virtue had the semblance of Puritanism. Duty and fanaticism
became mingled in common disrepute. In this great reaction, devotion and
honesty, swept away together, left to mankind but the wreck and the
mire. The more excellent parts of human nature disappeared; there
remained but the animal, without bridle or guide, urged by his desires
beyond justice and shame.
When we see these manners through the medium of a Hamilton or a
Saint-Évremond, we can tolerate them. Their French varnish deceives us.
Debauchery in a Frenchman is only half disgusting; with him, if the
animal breaks loose, it is without abandoning itself to excess. The
foundation is not, as with the Englishman, coarse and powerful. You may
break the glittering ice which covers him, without bringing down upon
yourself the swollen and muddy torrent that roars beneath his
neighbor;[224] the stream which will issue from it will only have its
petty dribblings, and will return quickly and of itself to its
accustomed channel. The Frenchman is mild, naturally refined, little
inclined for great or gross sensuality, liking a sober style of talk,
easily armed against filthy manners by his delicacy and good taste. The
Count de Grammont has too much wit to love an orgie. After all an orgie
is not pleasant; the breaking of glasses, brawling, lewd talk, excess in
eating and drinking--there is nothing in this very tempting to a rather
delicate taste; the Frenchman, after Grammont's type, is born an
epicurean, not a glutton or a drunkard. What he seeks is amusement, not
unrestrained joy or bestial pleasure. I know full well that he is not
without reproach. I would not trust him with my purse; he forgets too
readily the distinction between _meum_ and _tuum_; above all, I would
not trust him with my wife: he is not over-delicate; his escapades at
the gambling-table and with women smack too much of the sharper and the
briber. But I am wrong to use these big words in connection with him;
they are too weighty; they crush so delicate and so pretty a specimen of
humanity.
Public-domain text, read in full here on John Shaqi.
Reviews
Reviews
No reviews yet
Be the first to share your thoughts on this work.
Elsewhere in the archive
Join the Discussion
Join the discussion
Sign in to leave a comment or review.
Sign InorCreate an account