History of English Literature Volume 2 (of 3)Taine, Hippolyte
History
History of English Literature Volume 2 (of 3)
Taine, Hippolyte
English literature -- History and criticism
intellect which produced the classic age in Europe: not the independence
of inspiration and genius which marked the Renaissance; not the mature
experimental methods and conceptions of aggregates which distinguish the
present age, but the independence of argumentative reasoning, which,
dispensing with the imagination, liberating itself from tradition, badly
practising experience, acknowledges its queen in logic, its model in
mathematics, its instrument in ratiocination, its audience in polished
society, its employment in average truth, its subject-matter in abstract
humanity, its formula in ideology, and in the French Revolution at once
its glory and its condemnation, its triumph and its close.
But whereas Descartes, in the midst of a purified society and religion,
noble and calm, enthroned intelligence and elevated man, Hobbes, in the
midst of an overthrown society and a religion run mad, degraded man and
enthroned matter. Through disgust of Puritanism, the courtiers reduced
human existence to an animal licentiousness; through disgust of
Puritanism, Hobbes reduced human nature to its merely animal aspect. The
courtiers were practically atheists and brutish, as he was atheistic and
brutish in the province of speculation. They had established the fashion
of instinct and egotism; he wrote the philosophy of egotism and
instinct. They had wiped out from their hearts all refined and noble
sentiments; he wiped out from the heart all noble and refined
sentiments. He arranged their manners into a theory, gave them the
manual of their conduct, wrote down beforehand the maxims which they
were to reduce to practice.[250] With him, as with them, "the greatest
good is the preservation of life and limb; the greatest evil is death,
especially with pain." Other goods and other evils are only the means of
these. None seek or wish for anything but that which is pleasurable. "No
man gives except for a personal advantage." Why are friendships good
things? "Because they are useful; friends serve for defence and
otherwise." Why do we pity one another? "Because we imagine that a
similar misfortune may befall ourselves." Why is it noble to pardon him
who asks it? "Because thus one proves confidence in self." Such is the
background of the human heart. Consider now what becomes of the most
precious flowers in these blighting hands. "Music, painting, poetry, are
agreeable as imitations which recall the past, because if the past was
good, it is agreeable in its imitation as a good thing; but if it was
bad, it is agreeable in its imitation as being past." To this gross
mechanism he reduces the fine arts; it was perceptible in his attempt to
translate the Iliad. In his sight, philosophy is a thing of like kind.
"Wisdom is serviceable, because it has in it some kind of protection; if
it is desirable in itself, it is because it is pleasant." Thus there is
no dignity in knowledge. It is a pastime or an assistance; good, as a
servant or a puppet is a good thing.
Public-domain text, read in full here on John Shaqi.
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