History of English Literature Volume 2 (of 3)Taine, Hippolyte
History
History of English Literature Volume 2 (of 3)
Taine, Hippolyte
English literature -- History and criticism
In order to people the drawing-rooms, a certain political condition is
necessary; and this condition, which is the supremacy of the king in
combination with a regular system of police, was established at the same
period on both sides of the Channel. A regular police brings about peace
among men, draws them out of their feudal independence and provincial
isolation, increases and facilitates intercommunication, confidence,
union, comfort, and pleasures. The kingly supremacy calls into existence
a court, the centre of intercourse, from which all favors flow, and
which calls for a display of pleasure and splendor. The aristocracy thus
attracted to one another, and attracted to the throne by security,
curiosity, amusement, and interest, meet together, and become at once
men of the world and men of the court. They are no longer, like the
barons of a preceding age, standing in their lofty halls, armed and
stern, possessed by the idea that they might perhaps, when they quit
their palace, cut each other to pieces, and that if they fall to blows
in the precincts of the court, the executioner is ready to cut off their
hand and stop the bleeding with a red-hot iron; knowing, moreover, that
the king may probably have them beheaded to-morrow, and ready
accordingly to cast themselves on their knees and break out into
protestations of submissive fidelity, but counting under their breath
the number of swords that will be mustered on their side, and the trusty
men who keep sentinel behind the drawbridge of their castles.[285] The
rights, privileges, constraints, and attractions of feudal life have
disappeared. There is no more need that the manor should be a fortress.
These men can no longer experience the joy of reigning there as in a
petty state. It has palled on them, and they quit it. Having no further
cause to quarrel with the king, they go to him. His court is a
drawing-room, most agreeable to the sight, and most serviceable to those
who frequent it. Here are festivities, splendid furniture, a decked and
select company, news and tittle-tattle; here they find pensions, titles,
places for themselves and their friends; they receive amusement and
profit; it is all gain and all pleasure. Here they attend the levée,
are present at dinners, return to the ball, sit down to play, are there
when the king goes to bed. Here they cut a dash with their half-French
dress, their wigs, their hats loaded with feathers, their trunk-hose,
their cannions, the large rosettes on their shoes. The ladies paint and
patch their faces, display robes of magnificent satin and velvet, laced
up with silver and very long, and above you may see their white busts,
whose brilliant nakedness is extended to their shoulders and arms. They
are gazed upon, saluted, approached. The king rides on horseback in Hyde
Park; by his side canters the queen, and with her the two mistresses,
Lady Castlemaine and Mrs. Stewart: "the queen in a white-laced waistcoat
Public-domain text, read in full here on John Shaqi.
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