History of English Literature Volume 2 (of 3)Taine, Hippolyte
History
History of English Literature Volume 2 (of 3)
Taine, Hippolyte
English literature -- History and criticism
and verses, always agreeable, sometimes refined; he handles dexterously
the pretty jargon of mythology; he insinuates into his airy, flowing
verses all the dainty and somewhat affected prettiness of the
drawing-room. He sings thus to Chloris:
"My passion with your beauty grew,
While Cupid at my heart,
Still as his mother favour'd you,
Threw a new flaming dart."
And then sums up:
"Each gloried in their wanton part:
To make a lover, he
Employ'd the utmost of his art;
To make a beauty, she."[301]
There is no love whatever in these pretty things; they are received as
they are presented, with a smile; thy form part of the conventional
language, the polite attentions due from gentlemen to ladies. I suppose
they would send them in the morning with a nosegay, or a box of
preserved fruits. Roscommon indites some verses on a dead lapdog, on a
young lady's cold; this naughty cold prevents her singing--cursed be the
winter! And hereupon he takes the winter to task, abuses it at length.
Here you have the literary amusements of the worldling. They first treat
love, then danger, most airily and gayly. On the eve of a naval contest,
Dorset, at sea, amidst the pitching of his vessel, addresses a
celebrated song to the ladies. There is nothing weighty in it, either
sentiment or wit; people hum the couplets as they pass; they emit a
gleam of gayety; the next moment they are forgotten. Dorset at sea
writes to the ladies, on the night before an engagement:
"Let's hear of no inconstancy,
We have too much of that at sea."
And again:
"Should foggy Opdam chance to know
Our sad and dismal story,
The Dutch would scorn so weak a foe,
And quit their fort at Goree.
For what resistance can they find
From men who've left their hearts behind?"
Then come jests too much in the English style:
"Then if we write not by each post,
Think not we are unkind;...
Our tears we'll send a speedier way;
The tide shall bring them twice a day."
Such tears can hardly flow from sorrow; the lady regards them as the
lover sheds them, good-naturedly. She is "at a play" (he thinks so, and
tells her so):
"Whilst you, regardless of our woe,
Sit careless at a play,
Perhaps permit some happier man
To kiss your hand, or flirt your fan."[302]
Public-domain text, read in full here on John Shaqi.
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