History of English Literature Volume 2 (of 3)Taine, Hippolyte
History
History of English Literature Volume 2 (of 3)
Taine, Hippolyte
English literature -- History and criticism
[Footnote 261: Plautus's "Amphitryon" has been imitated by Dryden and
Molière. Sir Walter Scott, in the introduction to Dryden's play, says:
"He is, in general, coarse and vulgar, where Molière is witty; and
where the Frenchman ventures upon a double meaning, the Englishman
always contrives to make it a single one."--Tr.]
[Footnote 262: "Amphitryon," I. 1.]
[Footnote 263: "Amphitryon," I. 1.]
[Footnote 264: As Jupiter is departing, on the plea of daylight, Alemena
says to him:
"But you and I will draw our curtains
close.
Extinguish daylight, and put out the
sun.
Come back, my lord....
You have not yet laid long enough in
bed
To warm your widowed side."
--Act II. 2.
Compare Plautus's Roman matron and Molière's honest Frenchwoman
with this expansive female (Louis XIV and Mme. de Montespan were
not very decent either. See "Mémoires de Saint-Simon.")--Tr.]
[Footnote 265: Himself a Huguenot, who had become a Roman Catholic, and
the husband of Julie d'Angennes, for whom the French poets composed the
celebrated "Guirlande."--Tr.]
[Footnote 266: "The Dramatic Works of Wycherley, Congreve, Vanbrugh,
and Farquhar," ed. Leigh Hunt, 1840. Dedication of "Love in a Wood"
to her Grace the Duchess of Cleveland.]
[Footnote 267: Act III. 3.]
[Footnote 268: "The Country Wife," V. 4.]
[Footnote 269: Read the epilogue, and see what words and details authors
dared then to put in the mouths of actresses.]
[Footnote 270: "That spark, who has his fruitless designs upon the
bed-ridden rich widow, down to the sucking heiress in her...
clout.--Love in a Wood," I. 2.
Mrs. Flippant: "Though I had married the fool, I thought to have
reserved the wit as well as other ladies."--Ibid.
Dapperwit: "I will contest with no rival, not with my old rival your
coachman."--Ibid.
"She has a complexion like a Holland cheese, and no more teeth left, than
such as give a haut goût to her breath."--Ibid. II. 1.]
[Footnote 271: Ibid. III. 2.]
[Footnote 272: Ibid. V. 2.]
[Footnote 273: The letter of Agnes, in Molière's "L'École des Femmes,"
III. 4, begins thus: "Je veux vous écrire, et je suis bien en peine par
où je m'y prendrai. J'ai des pensées que je désirerais que vous
sussiez; mais je ne sais comment faire pour vous les dire, et je me
défie de mes paroles," etc. Observe how Wycherley translates it: "Dear,
sweet Mr. Horner, my husband would have me send you a base, rude,
unmannerly letter; but I won't--and would have me forbid you loving me;
but I won't--and would have me say to you, I hate you, poor Mr. Horner;
but I won't tell a lie for him--for I'm sure if you and I were in the
country at cards together, I could not help treading on your toe under
the table, or rubbing knees with you, and staring in your face, till you
saw me, and then looking down, and blushing for an hour together,"
etc.--"Country Wife," IV. 2.]
[Footnote 274: In the "Gentleman Dancing-Master."]
[Footnote 275: "The Plain Dealer," II. 1.]
[Footnote 276: "The Plain Dealer," IV. 2.]
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