History of English Literature Volume 2 (of 3)Taine, Hippolyte
History
History of English Literature Volume 2 (of 3)
Taine, Hippolyte
English literature -- History and criticism
emotion, metaphysics and theology, ceremonies and discipline, all is
blotted out or subordinate, and Christianity is simply the purification
of the heart. Look now at these men, dressed in sombre colors, speaking
through the nose on Sundays, in a box of dark wood, whilst a man in
bands, "with the air of a Cato," reads a psalm. Is there nothing in
their heart but theological "trash" or mechanical phrases? There is a
deep sentiment--veneration. This bare Dissenters' meeting-house, this
simple service and church of the Anglicans, leave them open to the
impression of what they read and hear. For they do hear, and they do
read; prayer in the vulgar tongue, psalms translated into the vulgar
tongue, can penetrate through their senses to their souls. They do
penetrate; and this is why they have such a collected mien. For the race
is by its very nature capable of deep emotions, disposed by the
vehemence of its imagination to comprehend the grand and tragic; and the
Bible, which is to them the very word of eternal God, provides it. I
know that to Voltaire it is only emphatic, unconnected, ridiculous; the
sentiments with which it is filled are out of harmony with French
sentiments. In England the hearers are on the level of its energy and
harshness. The cries of anguish or admiration of the solitary Hebrew,
the transports, the sudden outbursts of sublime passion, the desire for
justice, the growling of the thunder and the judgments of God, shake,
across thirty centuries, these Biblical souls. Their other books assist
it. The Prayer Book, which is handed down as an heirloom with the old
family Bible, speaks to all, to the dullest peasant, or the miner, the
solemn accent of true prayer. The new-born poetry, the reviving religion
of the sixteenth century, have impressed their magnificent gravity upon
it; and we feel in it, as in Milton himself, the pulse of the twofold
inspiration which then lifted a man out of himself and raised him to
heaven. Their knees bend when they listen to it. That Confession of
Faith, these collects for the sick, for the dying, in case of public
misfortune or private grief, these lofty sentences of impassioned and
sustained eloquence, transport a man to some unknown and august world.
Let the fine gentlemen yawn, mock, and succeed in not understanding: I
am sure that, of the others, many are moved. The idea of dark death and
of the limitless ocean, to which the poor weak soul must descend, the
thought of this, invisible justice, everywhere present, ever foreseeing,
on which the changing show of visible things depends, enlighten them
with unexpected flashes. The physical world and its laws seem to them
but a phantom, and a figure; they see nothing more real than justice; it
is the sum of humanity, as of nature. This is the deep sentiment which
on Sunday closes the theatre, discourages pleasures, fills the churches;
this it is which pierces the breastplate of the positive spirit and of
corporeal dulness.
Public-domain text, read in full here on John Shaqi.
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