History of English Literature Volume 2 (of 3)Taine, Hippolyte
History
History of English Literature Volume 2 (of 3)
Taine, Hippolyte
English literature -- History and criticism
The faithful feels in himself the touch of a superior hand, and the
birth of an unknown being. The old man has disappeared, the new man has
taken his place, pardoned, purified, transfigured, steeped in joy and
confidence, inclined to good as strongly as he was once drawn to evil. A
miracle has been wrought, and it can be wrought at any moment, suddenly,
under any circumstances, without warning. Some sinner, the oldest and
most hardened, without wishing it, without having dreamed of it, falls
down weeping, his heart melted by grace. The hidden thoughts, which
fermented long in these gloomy imaginations, break out suddenly into
storms, and the dull brutal mood is shaken by nervous fits which it had
not known before. Wesley, Whitefield, and their preachers went all over
England preaching to the poor, the peasants, the workmen in the open
air, sometimes to a congregation of twenty thousand people. "The fire is
kindled in the country." There was sobbing and crying. At Kingswood,
Whitefield, having collected the miners, a savage race, "saw the white
gutters made by the tears which plentifully fell down from their black
cheeks, black as they came out from their coal-pits."[517] Some trembled
and fell; others had transports of joy, ecstasies. Southey writes thus
of Thomas Olivers: "His heart was broken, nor could he express the
strong desires which he felt for righteousness.... He describes his
feelings during a _Te Deum_ at the cathedral, as if he had done with
earth, and was praising God before His throne."[518] The god and the
brute, which each man carries in himself, were let loose; the physical
machine was upset; emotion was turned into madness, and the madness
became contagious. An eye-witness says:
[Illustration: CHOICE EXAMPLES OF EARLY PRINTING AND ENGRAVING.
Fac-similes from Rare and Curious Books.
_PRINTER'S MARK OF PHILIPPE LE NOIR._
The early printers, in order to distinguish their work, used a special
mark or plate which, as in the case before us, sometimes took the form
of a sort of rebus, or punning device. The negroes who support the
initial shield in this mark are gorgeous and Oriental in attire, and the
design, as a whole, is one of the most picturesque examples of this kind
of composition.]
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