History of English Literature Volume 2 (of 3)Taine, Hippolyte
History
History of English Literature Volume 2 (of 3)
Taine, Hippolyte
English literature -- History and criticism
"Although no such benefit or advantage can accrue to God, which may
increase his essential and indefectible happiness; no harm or damage can
arrive that may impair it (for he can be neither really more or less
rich, or glorious, or joyful than he is; neither have our desire or our
fear, our delight or our grief, our designs or our endeavours any
object, any ground in those respects); yet hath he declared, that there
be certain interests and concernments, which, out of his abundant
goodness and condescension, he doth tender and prosecute as his own; as
if he did really receive advantage by the good, and prejudice by the bad
success, respectively belonging to them; that he earnestly desires and
is greatly delighted with some things, very much dislikes and is
grievously displeased with other things: for instance, that he bears a
fatherly affection towards his creatures, and earnestly desires their
welfare; and delights to see them enjoy the good he designed them; as
also dislikes the contrary events; doth commiserate and condole their
misery; that he is consequently well pleased when piety and justice,
peace and order (the chief means conducing to our welfare) do flourish;
and displeased, when impiety and iniquity, dissension and disorder
(those certain sources of mischief to us) do prevail; that he is well
satisfied with our rendering to him that obedience, honour, and respect,
which are due to him; and highly offended with our injurious and
disrespectful behaviour toward him, in the commission of sin and
violation of his most just and holy commandments; so that there wants
not sufficient matter of our exercising good-will both in affection and
action toward God; we are capable both of wishing and (in a manner, as
he will interpret and accept it) of doing good to him, by our
concurrence with him in promoting those things which he approves and
delights in, and in removing the contrary."[526]
This entanglement wearies us, but what a force and dash is there in this
well-considered and complete thought! Truth thus supported on all its
foundations can never be shaken. Rhetoric is absent. There is no art
here; the whole oratorical art consists in the desire thoroughly to
explain and prove what he has to say. He is even unstudied and artless;
and it is just this ingenuousness which raises him to the antique level.
We may meet with an image in his writings which seems to belong to the
finest period of Latin simplicity and dignity:
Public-domain text, read in full here on John Shaqi.
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