History of English Literature Volume 3 (of 3)Taine, Hippolyte
History
History of English Literature Volume 3 (of 3)
Taine, Hippolyte
English literature -- History and criticism
Thereupon he went in search of a hero, and did not find one, which, in
this age of heroes, is "an uncommon want." For lack of a better he chose
"our ancient friend Don Juan"--a scandalous choice: what an outcry the
English moralists will make! But, to cap the horror, this Don Juan is
not wicked, selfish, odious, like his fellows; he does not seduce, he is
no corrupter. When an opportunity arises, he lets himself drift; he has
a heart and senses, and, under a beautiful sun, they are easily touched:
at sixteen a youth cannot help himself, nor at twenty, nor perhaps at
thirty. Lay it to the charge of human nature, my dear moralists; it is
not I who made it as it is. If you will grumble, address yourselves
higher: we are here as painters, not as makers of human puppets, and we
do not answer for the inner structure of our dancing-dolls. Our Don Juan
is now going about; he goes about in many places, and in all he is
young; we will not launch thunderbolts on his head because he is young;
that fashion is past: the green devils and their capers only came on the
stage in the last act of Mozart's "Don Giovanni." And, moreover, Juan is
so amiable! After all, what has he done that others don't do! He has
been a lover of Catherine II, but he only followed the lead of the
diplomatic corps and the whole Russian army. Let him sow his wild oats;
the good grain will spring up in its time. Once in England, he will
behave himself decently. I confess that he may even there, when
provoked, go a-gleaning in the conjugal gardens of the aristocracy; but
in the end he will settle, go and pronounce moral speeches in
Parliament, become a member of the Society for the Suppression of Vice.
If you wish absolutely to have him punished, we will "make him end in
hell, or in an unhappy marriage, not knowing which would be the
severest: the Spanish tradition says hell; but it is probably only an
allegory of the other state."[215] At all events, married or damned, the
good folk at the end of the piece will have the pleasure of knowing that
he is burning all alive.
Public-domain text, read in full here on John Shaqi.
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