History of English Literature Volume 3 (of 3)Taine, Hippolyte
History
History of English Literature Volume 3 (of 3)
Taine, Hippolyte
English literature -- History and criticism
Indeed, there is no greater spectacle than his work; in no age or
amongst no nation on the earth, I believe, has matter ever been better
handled and utilized. If we enter London by water, we see an
accumulation of toil and work which has no equal on this planet. Paris,
by comparison, is but an elegant city of pleasure; the Seine, with its
quays, a pretty serviceable plaything. Here all is vast. I have seen
Marseilles, Bordeaux, Amsterdam, but I had no idea of such a mass. From
Greenwich to London the two shores are a continuous wharf: merchandise
is always being piled up, sacks hoisted, ships moored; ever new
warehouses for copper, beer, ropework, tar, chemicals. Docks,
timber-yards, calking-basins, and shipbuilders' yards, multiply and
encroach on each other. On the left there is the iron framework of a
church being finished, to be sent to India. The Thames is a mile broad,
and is but a populous street of vessels, a winding workyard. Steamboats,
sailing vessels, ascend and descend, come to anchor in groups of two,
three, ten, then in long files, then in dense rows; there are five or
six thousand of them at anchor. On the right, the docks, like so many
intricate, maritime streets, disgorge or store up the vessels. If we get
on a height, we see vessels in the distance by hundreds and thousands,
fixed as if on the land; their masts in a line, their slender rigging,
make a spider-web which girdles the horizon. Yet on the river itself,
towards the west, we see an inextricable forest of masts, yards, and
cables; the ships are unloading, fastened to one another, mingled with
chimneys, amongst the pulleys of the storehouses, cranes, capstans, and
all the implements of the vast and ceaseless toil. A foggy smoke,
penetrated by the sun, wraps them in its russet veil; it is the heavy
and smoky air of a big hot-house; soil and man, light and air, all is
transformed by work. If we enter one of these docks, the impression will
be yet more overwhelming: each resembles a town; always ships, still
more ships, in a line, showing their heads; their wide sides, their
copper chests, like monstrous fishes under their breastplate of scales.
When we are on the ground, we see that this breastplate is fifty feet
high; many ships are of three thousand or four thousand tons. Clippers
three hundred feet long are on the point of sailing for Australia,
Ceylon, America. A bridge is raised by machinery; it weighs a hundred
tons, and only one man is needed to raise it. Here are the wine
stores--there are thirty thousand tuns of port in the cellars; here the
place for hides, here for tallow, here for ice. The store for groceries
extends as far as the eye can see, colossal, sombre as a picture by
Rembrandt filled with enormous vats, and crowded with many men, who move
about in the flickering shade. The universe tends to this centre. Like a
heart, to which blood flows, and from which it pours, money, goods,
business arrive hither from the four quarters of the globe, and flow
Public-domain text, read in full here on John Shaqi.
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