History of English Literature Volume 3 (of 3)Taine, Hippolyte
History
History of English Literature Volume 3 (of 3)
Taine, Hippolyte
English literature -- History and criticism
coolness; here, as elsewhere, temperament has great influence. Anger,
blood does not rise at once to their eyes, as in the southern nations; a
long interval always separates idea from action, and wise arguments,
repeated calculations, occupy the interval. If we go to a meeting, we
see men of every condition, ladies who come for the thirtieth time to
hear the same speech, full of figures, on education, cotton, wages. They
do not seem to be wearied; they can bring argument against argument, be
patient, protest gravely, recommence their protest; they are the same
people who wait for the train on the platform, without getting crushed,
and who play cricket for a couple of hours without raising their voices
or quarrelling for an instant. Two coachmen, who run into one another,
set themselves free without storming or scolding. Thus their political
association endures; they can be free because they have natural leaders
and patient nerves. After all, the state is a machine like other
machines; let us try to have good wheels, and take care not to break
them; Englishmen have the double advantage of possessing very good ones,
and of managing them coolly.
Section IV.--English Society.--Philosophy.--Religion
Such is our Englishman, with his laws and his administration. Now that
he has private comfort and public security, what will he do, and how
will he govern himself in this higher, nobler domain, to which man
climbs in order to contemplate beauty and truth? At all events, the arts
do not lead him there. That vast London is monumental; but, like the
castle of a man who has become rich, everything there is well preserved
and costly, but nothing more. Those lofty houses of massive stone,
burdened with porches, short columns, Greek decorations, are generally
gloomy; the poor columns of the monuments seem washed with ink. On
Sunday, in foggy weather, we would think ourselves in a cemetery; the
perfect readable names on the houses, in brass letters, are like
sepulchral inscriptions. There is nothing beautiful: at most, the
varnished middle-class houses, with their patch of green, are pleasant;
we feel that they are well kept, commodious, capital for a business man
who wants to amuse himself and unbend after a hard day's work. But a
finer and higher sentiment could relish nothing here. As to the statues,
it is difficult not to laugh at them. We see the Duke of Wellington with
a cocked hat and iron plumes; Nelson, with a cable which serves him for
a tail, planted on his column, and pierced by a lightning-conductor,
like a rat impaled on the end of a pole; or again, the half-dressed
Waterloo generals, crowned by Victory. The English, though flesh and
bone, seem manufactured out of sheet-iron: how much stiffer will English
statues look? They pride themselves on their painting; at least they
study it with surprising minuteness, in the Chinese fashion; they can
paint a truss of hay so exactly that a botanist will tell the species of
Public-domain text, read in full here on John Shaqi.
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