History of English Literature Volume 3 (of 3)Taine, Hippolyte
History
History of English Literature Volume 3 (of 3)
Taine, Hippolyte
English literature -- History and criticism
multitude of examples, proofs, appeals to daily experience,[236] are
brought forward in all the pulpits, to develop in man a voluntary
reformation, a guard and empire over himself, the habit of
self-restraint, and a kind of modern stoicism, almost as noble as the
ancient. On all hands laymen help in this; and moral warning, given by
literature as well as by theology, harmoniously unites society and the
clergy. Hardly ever does a book paint a man in a disinterested manner:
critics, philosophers, historians, novelists, poets even, give a lesson,
maintain a theory, unmask or punish a vice, represent a temptation
overcome, relate the history of a character being formed. Their exact
and minute description of sentiments ends always in approbation or
blame; they are not artists, but moralists: it is only in a Protestant
country that we will find a novel entirely occupied in describing the
progress of moral sentiment in a child of twelve.[237] All co-operate in
this direction in religion, and even in the mystic part of it. Byzantine
distinctions and subtleties have been allowed to fall away; Germanic
inquisitiveness and speculations have not been introduced; the God of
conscience reigns alone; feminine sweetness has been cut off; we do not
find the husband of souls, the lovable consoler, whom the author of the
"Imitation of Christ" follows even in his tender dreams; something manly
breathes from religion in England; we find that the Old Testament, the
severe Hebrew Psalms, have left their imprint here. It is no longer an
intimate friend to whom a man confides his petty desires, his small
troubles, a sort of affectionate and quite human priestly guide; it is
no longer a king whose relations and courtiers he tries to gain over,
and from whom he looks for favor or place; we see in him only a guardian
of duty, and we speak to him of nothing else. What we ask of him is the
strength to be virtuous, the inner renewal by which we become capable of
always doing good; and such a prayer is in itself a sufficient lever to
tear a man from his weaknesses. What we know of the Deity is that he is
perfectly righteous; and such a reliance suffices to represent all the
events of life as an approach to the reign of righteousness. Strictly
speaking, righteousness alone exists; the world is a figure which
conceals it, but heart and conscience sustain it, and there is nothing
important or true in man but the embrace by which he holds it. So speak
the old grave prayers, the severe hymns which are sung in the church,
accompanied by the organ. Though a Frenchman, and brought up in a
different religion, I listened to them with a sincere admiration and
emotion. Serious and grand poems, which, opening a path to the Infinite,
let in a ray of light into the limitless darkness, and satisfy the deep
poetic instincts, the vague desire of sublimity and melancholy, which
this race has manifested from its origin, and which it has preserved to
the end.
Public-domain text, read in full here on John Shaqi.
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