History of English Literature Volume 3 (of 3)Taine, Hippolyte
History
History of English Literature Volume 3 (of 3)
Taine, Hippolyte
English literature -- History and criticism
Your Pecksniff will offer nothing to
these. He will only serve to instruct and amuse the public. He will be a
living satire of hypocrisy, and nothing more. If you give him a taste
for brandy, it is gratuitously; in the mood which you assign to him,
nothing requires it; he is so steeped in oily hypocrisy, in softness, in
a flowing style, in literary phrases, in tender morality that the rest
of his nature has disappeared; it is a mask, and not a man. But this
mask is so grotesque and energetic that it will be useful to the public,
and will diminish the number of hypocrites. It is our end and yours, and
the list of your characters will have rather the effect of a book of
satires than of a portrait gallery.
"For the same reason, these satires, though united, will continue
effectually detached, and will not constitute a genuine collection. You
began with essays, and your larger novels are only essays, tagged
together. The only means of composing a natural and solid whole is to
write the history of a passion or of a character, to take them up at
their birth, to see them increase, alter, become destroyed, to
understand the inner necessity for their development. You do not follow
this development; you always keep your character in the same attitude;
he is a miser, or a hypocrite, or a good man to the end, and always
after the same fashion: thus he has no history. You can only change the
circumstances in which he is met with, you do not change him; he remains
motionless, and at every shock that touches him, emits the same sound.
The variety of events which you contrive is, therefore, only an amusing
phantasmagoria; they have no connection, they do not form a system, they
are but a heap. You will only write lives, adventures, memoirs,
sketches, collections of scenes, and you will not be able to compose an
action. But if the literary taste of your nation, added to the natural
direction of your genius, imposes upon you moral intentions, forbids you
the lofty depicture of characters, vetoes the composition of united
aggregates, it presents to your observation, sensibility and satire, a
succession of original figures which belong only to England, which drawn
by your hand, will form a unique gallery, and which, with the stamp of
your genius, will offer that of your country and of your time."
Part III.--The Characters
Section I.--Dickens's Love for Natural Characters
Public-domain text, read in full here on John Shaqi.
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