History of English Literature Volume 3 (of 3)Taine, Hippolyte
History
History of English Literature Volume 3 (of 3)
Taine, Hippolyte
English literature -- History and criticism
These are the rich; probably money has corrupted them. Let us look for a
poor aristocrat, free from temptations; his lofty mind, left to itself,
will display all its native beauty. Sir Francis Clavering is in this
case. He has played, drunk, and supped until he has nothing more left.
Transactions at the gambling-table speedily effected his ruin; he had
been forced to sell out of his regiment; had shown the white feather,
and after frequenting all the billiard-rooms in Europe, been thrown into
prison by his uncourteous creditors. To get out he married a
good-natured Indian widow, who outrages spelling, and whose money was
left her by her father, a disreputable old lawyer and indigo-smuggler.
Clavering ruins her, goes on his knees to obtain gold and pardon, swears
on the Bible to contract no more debts, and when he goes out runs
straight to the money-lender. Of all the rascals that novelists have
ever exhibited, he is the basest. He has neither resolution nor
common-sense; he is simply a man in a state of dissolution. He swallows
insults like water, weeps, begs pardon, and begins again. He debases
himself, prostrates himself, and the next moment swears and storms, to
fall back into the depths of the extremest cowardice. He implores,
threatens, and in the same quarter of an hour accepts the threatened man
as his intimate confidant and friend:
"Now, ain't it hard that she won't trust me with a single tea-spoon;
ain't it ungentlemanlike, Altamont? You know my lady's of low
birth--that is--I beg your pardon--hem--that is, it's most cruel of her
not to show more confidence in me. And the very servants begin to
laugh--the dam scoundrels!... They don't answer my bell; and--and my man
was at Vauxhall last night with one of my dress shirts and my velvet
waistcoat on, I know it was mine--the confounded impudent
blackguard!--and he went on dancing before my eyes, confound him! I'm
sure he'll live to be hanged--he deserves to be hanged--all those
infernal rascals of valets!"[288]
His conversation is a compound of oaths, whines, and ravings; he is not
a man, but the wreck of a man: there survive in him but the discordant
remains of vile passions, like the fragments of a crushed snake, which,
unable to bite, bruise themselves and wriggle about in their slaver and
mud. The sight of a banknote makes him launch blindly into a mass of
entreaties and lies. The future has disappeared for him, he sees but the
present. He will sign a bill for twenty pounds at three months to get a
sovereign. His degradation has become imbecility; his eyes are shut; he
does not see that his protestations excite mistrust, that his lies
excite disgust, that by his very baseness he loses the fruit of his
baseness; so that when he comes in, a man feels a violent inclination to
take the honorable baronet, the member of Parliament, the proud
inhabitant of a historic house, by the neck, and pitch him, like a
basket of rubbish, from the top of the stairs to the bottom.
Public-domain text, read in full here on John Shaqi.
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