History of English Literature Volume 3 (of 3)Taine, Hippolyte
History
History of English Literature Volume 3 (of 3)
Taine, Hippolyte
English literature -- History and criticism
genius and courage to her brain. To complete the picture of this
impetuous nature, superior and unstable, Balzac at the last moment makes
her repent. To proportion her fortune to her vice, he leads her
triumphantly through the ruin, death, or despair of twenty people, and
shatters her in the supreme moment by a fall as terrible as her success.
Before such passion and logic, what is Becky Sharp? A calculating
plotter, cool in temperament, full of common-sense, an ex-governess,
having parsimonious habits, a genuine woman of business, always proper,
always active, unsexed, void of the voluptuous softness and diabolical
transport which can give brilliancy to her character and charm to her
profession. She is not a prostitute, but a petticoated and heartless
barrister. Nothing is more fit to inspire aversion. The author loses no
opportunity of expressing his own; through two-thirds of the book he
pursues her with sarcasms and misfortunes; he puts only false words,
perfidious actions, revolting sentiments, in her mouth. From her coming
on the stage, at the age of seventeen, treated with rare kindness by a
simple-minded family, she lies from morning to night, and by coarse
expedients tries to fish there for a husband. The better to crush her,
Thackeray himself sets forth all this baseness, these lies, and
indecencies. Rebecca ever so gently presses the hand of fat Joseph: "It
was an advance, and as such, perhaps some ladies of indisputable
correctness and gentility will condemn the action as immodest; but, you
see, poor dear Rebecca had all this work to do for herself. If a person
is too poor to keep a servant, though ever so elegant, he must sweep his
own rooms: if a dear girl has no dear mamma to settle matters with the
young man, she must do it for herself."[291] Whilst Becky was a
governess at Sir Pitt Crawley's, she gains the friendship of her pupils,
by reading to them the tales of Crébillon the younger, and of Voltaire.
She writes to her friend Amelia: "The rector's wife paid me a score of
compliments about the progress my pupils made, and thought, no doubt, to
touch my heart--poor, simple, country soul! as if I cared a fig about my
pupils."[292] This phrase is an imprudence hardly natural in so careful
a person, and the author adds it gratuitously to her part, to make it
odious. A little further Rebecca is grossly adulatory and mean to old
Miss Crawley; and her pompous periods, manifestly false, instead of
exciting admiration, raise disgust. She is selfish and lying to her
husband, and knowing that he is on the field of battle, busies herself
only in getting together a little purse. Thackeray designedly dwells on
the contrast: the heavy dragoon "went through the various items of his
little catalogue of effects, striving to see how they might be turned
into money for his wife's benefit, in case any accident should befall
him. Faithful to his plan of economy, the captsin dressed himself in his
oldest and shabbiest uniform" to get killed in:
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