History of English Literature Volume 3 (of 3)Taine, Hippolyte
History
History of English Literature Volume 3 (of 3)
Taine, Hippolyte
English literature -- History and criticism
"'Dearest saint,' says he, 'purest soul, that has had so much to suffer,
that has blest the poor lonely orphan with such a treasure of love. 'Tis
for me to kneel, not for you: 'tis for me to be thankful that I can make
you happy. Hath my life any other aim? Blessed be God that I can serve
you!'"[297]
This noble tenderness seems still more touching when contrasted with the
surrounding circumstances. Esmond goes to the wars, serves a political
party, lives amidst dangers and bustle, judging revolutions and politics
from a lofty point of view; he becomes a man of experience, well
informed, learned, far-sighted, capable of great enterprises, possessing
prudence and courage, harassed by his own thoughts and griefs, ever sad
and ever strong. He ends by accompanying to England the Pretender,
half-brother of Queen Anne, and keeps him, disguised, at Castlewood,
awaiting the moment when the queen, dying and won over to the Tory
cause, should declare him her heir. This young prince, a true Stuart,
pays court to Lord Castlewood's daughter Beatrix, whom Esmond loves, and
gets out at night to join her. Esmond, who waits for him, sees the crown
lost and his house dishonored. His insulted honor and outraged love
break forth in a proud and terrible rage. Pale, with set teeth, his
brain on fire by four sleepless nights of anxiety, he keeps his mind
clear, and his voice calm; he explains to the prince with perfect
etiquette, and with the respectful coldness of an official messenger,
the folly which the prince has committed, and the villainy which the
prince contemplated. The scene must be read to show how much superiority
and passion this calmness and bitterness imply:
"'What mean you, my lord?' says the Prince, and muttered something about
a _guet-à-pens_, which Esmond caught up.
"'The snare, Sir,' said he, 'was not of our laying; it is not we that
invited you. We came to avenge, and not to compass, the dishonor of our
family.'
"'Dishonor! _Morbleu!_ there has been no dishonor,' says the Prince,
turning scarlet, 'only a little harmless playing.'
"'That was meant to end seriously.'
"'I swear,' the Prince broke out impetuously, 'upon the honor of a
gentleman, my lords'--
"'That we arrived in time. No wrong hath been done, Frank,' says Colonel
Esmond, turning round to young Castlewood, who stood at the door as the
talk was going on. 'See! here is a paper whereon his Majesty hath
deigned to commence some verses in honor, or dishonor, of Beatrix. Here
is "Madame" and "Flamme, Cruelle" and "Rebelle," and "Amour" and
"Jour," in the Royal writing and spelling. Had the Gracious lover been
happy, he had not passed his time in sighing.' In fact, and actually as
he was speaking, Esmond cast his eyes down towards the table, and saw a
paper on which my young Prince had been scrawling a madrigal, that was
to finish his charmer on the morrow.
Public-domain text, read in full here on John Shaqi.
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