"Then came those days, never to be recalled without a blush, the days of servitude without loyalty and sensuality without love, of dwarfish talents and gigantic vices, the paradise of cold hearts and narrow minds, the golden age of the coward, the bigot, and the slave. The King cringed to his rival that he might trample on his people, sank into a viceroy of France, and pocketed, with complacent infamy, her degrading insults, and her more degrading gold. The caresses of harlots, and the jests of buffoons, regulated the policy of the state. The government had just ability enough to deceive, and just religion enough to persecute. The principles of liberty were the scoff of every grinning courtier, and the Anathema Maranatha of every fawning dean. In every high place, worship was paid to Charles and James, Belial and Moloch; and England propitiated those obscene and cruel idols with the blood of her best and bravest children. Crime succeeded to crime, and disgrace to disgrace, till the race accursed of God and man was a second time driven forth, to wander on the face of the earth, and to be a by-word and a shaking of the head to the nations."[304] This piece, with all the biblical metaphors, which has preserved something of the tone of Milton and the Puritan prophets, shows to what an issue the various tendencies of this great mind were turning--what was its bent--how the practical spirit, science and historic talent, the unvaried presence of moral and religious ideas, love of country and justice, concurred to make of Macaulay the historian of liberty. Section V.--Characteristics of Macaulay's Style In this his talent assisted him: for his opinions are akin to his talent.