History of English Literature Volume 3 (of 3)Taine, Hippolyte
History
History of English Literature Volume 3 (of 3)
Taine, Hippolyte
English literature -- History and criticism
Side by side with this development there was another, and with history
philosophy entered into literature, in order to widen and modify it. It
was manifest throughout, on the threshold as in the centre. On the
threshold it had planted aesthetics: every poet, becoming theoretic,
defined before producing the beautiful, laid down principles in his
preface and originated only alter a preconceived system. But the
ascendancy of metaphysics was much more visible yet in the middle of the
work than on its threshold; for not only did it prescribe the form of
poetry, but it furnished it with its elements. What is man, and what has
he come into the world to do? What is this far-off greatness to which he
aspires? Is there a haven which he may reach, and a hidden hand to
conduct him thither? These are the questions which poets, transformed
into thinkers, agreed to agitate; and Goethe, here as elsewhere the
father and promoter of all lofty modern ideas, at once sceptical,
pantheistic, and mystic, wrote in "Faust" the epic of the age and the
history of the human mind. Need I say that in Schiller, Heine,
Beethoven, Victor Hugo, Lamartine, and dc Musset, the poet, in his
individual person, always speaks the words of the universal man? The
characters which they have created, from Faust to Ruy Blas, only served
them to exhibit some grand metaphysical and social idea; and twenty
times this too great idea, bursting its narrow envelope, broke out
beyond all human likelihood and all poetic form, to display itself to
the eyes of the spectators. Such was the domination of the philosophical
spirit, that, after doing violence to literature, or rendering it rigid,
it imposed on music humanitarian ideas, inflicted on painting symbolical
designs, penetrated current speech, and marred style by an overflow of
abstractions and formulas, from which all our efforts now fail to
liberate us. As an overstrong child, which at its birth injures its
mother, so it has contorted the noble forms which had endeavored to
contain it, and dragged literature through an agony of struggles and
sufferings.
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