History of European Morals From Augustus to Charlemagne (Vol. 1 of 2)Lecky, William Edward Hartpole
Philosophy
History of European Morals From Augustus to Charlemagne (Vol. 1 of 2)
Lecky, William Edward Hartpole
Ethics; Europe -- Moral conditions
But these habits, and the religious reverence with which they were
connected, soon disappeared amid the immorality and decomposition that
marked the closing years of the Republic and the dawn of the Empire. The
stern simplicity of life, which the censors had so zealously and often so
tyrannically enforced,(181) was exchanged for a luxury which first
appeared after the return of the army of Manlius from Asia,(182) increased
to immense proportions after the almost simultaneous conquests of
Carthage, Corinth, and Macedonia,(183) received an additional stimulus
from the example of Antony,(184) and at last, under the Empire, rose to
excesses which the wildest Oriental orgies have never surpassed.(185) The
complete subversion of the social and political system of the Republic,
the anarchy of civil war, the ever-increasing concourse of strangers,
bringing with them new philosophies, customs, and gods, had dissolved or
effaced all the old bonds of virtue. The simple juxtaposition of many
forms of worship effected what could not have been effected by the most
sceptical literature or the most audacious philosophy. The moral influence
of religion was almost annihilated. The feeling of reverence was almost
extinct. Augustus solemnly degraded the statue of Neptune because his
fleet had been wrecked.(186) When Germanicus died, the populace stoned or
overthrew the altars of the gods.(187) The idea of sanctity was so far
removed from the popular divinities that it became a continual complaint
that prayers were offered which the most depraved would blush to pronounce
aloud.(188) Amid the corruption of the Empire, we meet with many noble
efforts of reform made by philosophers or by emperors, but we find
scarcely a trace of the moral influence of the old religion. The
apotheosis of the emperors consummated its degradation. The foreign gods
were identified with those of Rome, and all their immoral legends
associated with the national creed.(189) The theatre greatly extended the
area of scepticism. Cicero mentions the assenting plaudits with which the
people heard the lines of Ennius, declaring that the gods, though real
beings, take no care for the things of man.(190) Plutarch tells of a
spectator at a theatre rising up with indignation after a recital of the
crimes of Diana, and exclaiming to the actor, “May you have a daughter
like her whom you have described!”(191) St. Augustine and other of the
Fathers long after ridiculed the pagans who satirised in the theatres the
very gods they worshipped in the temples.(192) Men were still profoundly
superstitious, but they resorted to each new religion as to a charm or
talisman of especial power, or a system of magic revealing the future.
There existed, too, to a very large extent, a kind of superstitious
scepticism which occupies a very prominent place in religious history.
There were multitudes who, declaring that there were no gods, or that the
gods never interfered with human affairs, professed with the same breath
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