When the savage looks around upon the world and begins to form his theories of existence, he falls at once into three great errors, which become the first principles of his subsequent opinions. He believes that this earth is the centre of the universe, and that all the bodies encircling it are intended for its use; that the disturbances and dislocations it presents, and especially the master curse of death, are connected with some event in his history, and also that the numerous phenomena and natural vicissitudes he sees around him are due to direct and isolated volitions, either of spirits presiding over, or of intelligences inherent in, matter. Around these leading conceptions a crowd of particular legends speedily cluster. If a stone falls beside him, he naturally infers that some one has thrown it. If it be an aërolite, it is attributed to some celestial being. Believing that each comet, tempest, or pestilence results from a direct and isolated act, he proceeds to make theories regarding the motives that have induced his spiritual persecutors to assail him, and the methods by which he may assuage their anger. Finding numerous distinct trains or series of phenomena, he invents for each appropriate presiding spirits. Miracles are to him neither strange events nor violations of natural law, but simply the unveiling or manifestation of the ordinary government of the world. With these broad intellectual conceptions several minor influences concur. A latent fetichism, which is betrayed in that love of direct personification, or of applying epithets derived from sentient beings to inanimate nature, which appears so largely in all poetry and eloquence, and especially in those of an early period of society, is the root of a great part of our opinions. If—to employ a very familiar illustration—the most civilised and rational of mankind will observe his own emotions, when by some accident he has struck his head violently against a door-post, he will probably find that his first exclamation was not merely of pain but of anger, and of anger directed against the wood. In a moment reason checks the emotion; but if he observes carefully his own feelings, he may easily convince himself of the unconscious fetichism which, is latent in his mind, and which, in the case of a child or a savage, displays itself without reserve. Man instinctively ascribes volition to whatever powerfully affects him. The feebleness of his imagination conspires with other causes to prevent an uncivilised man from rising above the conception of an anthropomorphic Deity, and the capricious or isolated acts of such a being form his exact notion of miracles. The same feebleness of imagination makes him clothe all intellectual tendencies, all conflicting emotions, all forces, passions, or fancies, in material forms. His mind naturally translates the conflict between opposing feelings into a history of the combat between rival spirits. A vast